CASE STUDY: How Marimekko Turned Bold Prints Into a Global Blueprint - from the banks of the Seine to the markets of Asia-Pacific
From Helsinki's printing mill to Paris's Le Marais, discover how Marimekko is scaling a design-led brand with purpose, craft, and bold innovation.
But what makes Marimekko's story compelling is not just its aesthetic legacy?
Image Credit: Marimekko
Few fashion and design brands carry their heritage as confidently as Marimekko. Since its founding in Helsinki in 1951, the Finnish label has built an identity so distinctive that its prints are instantly recognisable - bold, geometric, unapologetically colourful.
But what makes Marimekko's story compelling is not just its aesthetic legacy. It's the way the company has used that legacy as a springboard for growth, innovation, and responsible production, without ever diluting what makes it unique.
With a Paris flagship now open in Le Marais, continued expansion across Asia-Pacific, and a Helsinki printing mill producing one million metres of fabric per year, Marimekko offers a masterclass in scaling a design-led brand with purpose and precision.
A Factory at the Heart of Everything
Start with the source. Marimekko's Helsinki printing mill is the beating heart of the brand - the place where its iconic fabrics come to life. Producing approximately one million metres of printed textile each year, the factory is central to both the brand's identity and its quality control.
This level of in-house production is rare. Most fashion and lifestyle brands have outsourced manufacturing to reduce costs. Marimekko's decision to maintain a domestic printing facility speaks to a deeper philosophy: that the integrity of a print, from design to finished fabric, cannot be fully preserved at arm's length.
The mill also serves as an architectural reference point. When Marimekko opened its first Paris flagship in October 2025, the store's interior drew direct inspiration from the Helsinki printing mill - combining bold hues with industrial materials to create a space that feels alive and distinctly Marimekko. The result is a retail environment where the brand's manufacturing roots are made visible, turning the shop floor into a kind of homage to the craft behind the product.
Sustainability as Strategy, Not Afterthought
Marimekko's sustainability objectives are woven into its broader business strategy rather than treated as a separate initiative. For a brand built on textiles - one of the most resource-intensive industries in the world - this matters enormously.
The company's commitment to eco-conscious production is reflected in both materials and methods. One of the most striking examples is its use of laser-marked denim. Traditional denim finishing processes, particularly stone-washing and sandblasting, are water-heavy and often involve harmful chemicals. Laser marking replaces these processes with precision technology that uses no water and significantly reduces chemical waste. The result? Denim that achieves the same worn, textured finish through a cleaner, more controlled method.
This kind of innovation demonstrates that sustainability and quality are not competing priorities. Laser technology allows for greater design precision, which aligns directly with Marimekko's commitment to craftsmanship. It is a case study in how the right technological investment can simultaneously reduce environmental impact and improve the product.
Home Furnishings: Where the Prints Live Longest
Marimekko's product portfolio spans clothing, bags, accessories, and home décor - and it is in the home furnishings category that the brand's prints often make their most lasting impression. Tableware, textiles, and soft furnishings carry Marimekko's visual language into everyday domestic spaces, turning the morning coffee ritual or the dining table into a small act of design appreciation.
At the Paris Le Marais store, this dimension of the brand is given prominent space. Marimekko mugs, plates, tumblers, and gift wrapping sit alongside curtains in signature prints, bags, and apparel. The store functions less like a conventional retail outlet and more like a curated environment - a total design world that customers can step into and, piece by piece, take home.
This approach to home furnishings is significant commercially, too. Unlike fashion, which turns over seasonally, well-made homeware has a longer purchase lifecycle and tends to attract customers who are investing in the brand rather than simply buying a trend. For Marimekko, whose prints are genuinely timeless, this is a natural and profitable positioning.
Fashion With a Design Identity
On the fashion side, Marimekko's clothing range maintains the same visual confidence as its homeware. The brand's dresses, in particular, have served as a canvas since 1951 - and the archive is rich with decades of design evolution.
In March 2025, Marimekko brought that archive to Paris in an especially compelling way. The brand participated for the first time in Matter and Shape, a design salon held in the Jardin des Tuileries. The installation presented a conceptual reinterpretation of Marimekko's print archive, with original fabric swatches spanning multiple decades on display for visitors to engage with directly. Simultaneously, the Le Marais flagship hosted a pop-up of rare archive dresses, curated by Creative Director Rebekka Bay, available to vintage enthusiasts from 6–9 March.
Together, these two activations told a coherent story: that Marimekko's fashion output is not ephemeral trend-chasing, but the product of a living design archive. The brand's prints endure precisely because they were never designed to be of the moment - they were designed to be themselves.
Paris and the Logic of Western Expansion
The decision to open a Paris flagship makes cultural and commercial sense. Paris is a city where design literacy runs deep, where consumers are attuned to the difference between surface-level aesthetics and genuine craft. Marimekko's prints - bold, architectural, instantly recognisable - translate well into that context.
Located at 120 Rue Vieille du Temple in Le Marais, the store sits in one of Paris's most design-forward neighbourhoods. The opening weekend was a neighbourhood event in the truest sense, spilling into the streets with music, festivities, and a collaboration with local florist Castor Fleuriste, whose bouquets were wrapped in Marimekko fabrics during the launch week. It was a confident, joyful market entry - precisely the tone a brand with Marimekko's heritage should strike.
With over 170 stores globally and an online presence serving customers in 39 countries, the Paris store is part of a considered retail expansion, not a speculative one.
Asia-Pacific: The Growth Engine
While the Paris opening drew attention, Marimekko's most commercially significant growth market is Asia-Pacific. The brand identifies the region as one of its key markets alongside Northern Europe and North America - and for good reason.
Consumer appetite for design-led lifestyle brands in markets such as Japan, South Korea, and Australia has created fertile ground for Marimekko's proposition. The brand's emphasis on originality, craftsmanship, and longevity resonates strongly in markets where quality is prized and brand identity matters. Asia-Pacific is not a secondary market for Marimekko - it is central to the company's long-term growth ambitions.
In 2025, the company's net sales totalled EUR 190 million, with a comparable operating profit margin of 17.1 percent. These figures reflect a business that has found a sustainable growth model - one that does not depend on volume alone, but on the enduring value of a strong design identity.
What Marimekko's Model Actually Proves
The Marimekko case is instructive for anyone watching how design-led brands navigate scale. The company has grown its revenue and global footprint without chasing mass-market accessibility. Its Helsinki factory continues to produce fabric domestically. Its sustainability work is embedded in production processes, not bolted on as marketing. Its retail environments are extensions of the brand's design world, not just points of sale.
Most strikingly, the archive is treated as an asset, not a museum piece. The Matter and Shape installation and the Paris pop-up are examples of a brand that understands its history is commercially relevant - that customers want to engage with where a brand comes from, not just where it is now.
Bold prints and a clear sense of purpose have carried Marimekko from a small Helsinki textile company to a EUR 190 million global business. The next chapter, from the banks of the Seine to the markets of Asia-Pacific, looks equally vivid.
What Marimekko's Model Actually Proves
The Marimekko case is instructive for anyone watching how design-led brands navigate scale.
The company has grown its revenue and global footprint without chasing mass-market accessibility. Its Helsinki factory continues to produce fabric domestically. Its sustainability work is embedded in production processes, not bolted on as marketing. Its retail environments are extensions of the brand's design world, not just points of sale.
Most strikingly, the archive is treated as an asset, not a museum piece. The Matter and Shape installation and the Paris pop-up are examples of a brand that understands its history is commercially relevant - that customers want to engage with where a brand comes from, not just where it is now.
Bold prints and a clear sense of purpose have carried Marimekko from a small Helsinki textile company to a EUR 190 million global business. The next chapter, from the banks of the Seine to the markets of Asia-Pacific, looks equally vivid.
A Century of Textiles, and an Ever-changing World
Few companies can trace their roots back more than a century and still count themselves among their industry's innovators. Texia, headquartered in Monistrol de Montserrat, Spain, is one of them.
But the story of Texia is not simply one of longevity.
It is a story of continual reinvention. As the textile industry has grown more global and competitive, Texia has repeatedly reshaped its business, investing in technology, developing its own brands, and placing sustainability at the centre of its mission. In doing so, it offers a compelling example of how a heritage manufacturer can lead rather than follow through a period of profound industry change. Image Credit: Texia
What are we craving Ultimately?
The instinct to slow down while simultaneously optimising every measurable aspect of life isn't a passing curiosity. It's a structural response to a world that feels increasingly unstable, and it's reshaping what people expect from their homes, hotels, workplaces and healthcare environments alike.
For the design and manufacturing sectors, this means rethinking both product and process.
The Structual Shift is Real and its Already Here
Volumes are moving east, where digital production is accelerating rapidly. Consumer behaviour has shifted.
Demand is now driven by personalisation, shorter buying cycles, and an expectation of near-instant responsiveness. Regulatory pressure is intensifying, with supply chain transparency now a legal and commercial fact in many markets. And margins? They are under sustained, structural pressure.
This is not a temporary disruption. It is a fundamental reordering of how textile manufacturing must operate.
The Challenge: Standing Firm as the Industry Shifts
The wallpaper landscape has changed dramatically. Digital printing has lowered the barrier to entry, spawning countless direct-to-consumer brands and pushing much of the market towards faster, cheaper production.
At the same time, manufacturing in the UK has grown steadily harder - rising minimum wage, national insurance, energy and substrate costs all bear down on margins. Surface Print have embraced all of these challenges - and stand resolutely prepared for the future.
From Helsinki's printing mill to Paris's Le Marais, discover how Marimekko is scaling a design-led brand with purpose, craft, and bold innovation.
But what makes Marimekko's story compelling is not just its aesthetic legacy?
The word "toxic" carries weight. It conjures danger, harm, and things best avoided.
“Yet in the textile industry - Where between 3,000 and 10,000 chemicals move through the supply chain, a reflexive fear of the term is one of our biggest obstacles to progress.”
This article distils the key takeaways and what buyers, designers, and brands should be asking right now.
What Is the Digital Product Passport?
At its core, a Digital Product Passport is a digital record attached to a physical product - For a printed textile product, this means the DPP would capture data on the substrate, inks and dyes used, the printing process and technology, chemical compliance, environmental impact (including water and energy use), supply chain traceability, and end-of-life instructions.
The Market Gap that Changed Everything
Future Fashion was founded in 2019, timed deliberately to coincide with a pivotal moment in global textile technology: the commercial launch of the EFI Reggiani BOLT Single-Pass digital printing system.
The founders recognised that single-pass architecture had fundamentally changed what was industrially possible - and that Pakistan's domestic market had yet to catch up.
Print is no longer defined by the inefficiencies that once characterised it…as advances in production processes and technology have significantly improved its environmental performance.
Taran Rai, Corporate Sustainability Manager at Epson explains why?
The story of what happens when young designers access digital technology is still being written.
What once was a theoretical sustainability goal seems to have shifted into an active regulatory reality.
Is the Textile Market Finally Recovering?
After a difficult few years, there are genuine reasons for optimism. Duncan was candid about the challenges: "The market for textiles has been very difficult over the last three years. I'm not going to hide the truth there. But the tide is turning.“
A profound shift is currently reshaping the sector
Changing consumer expectations demand greater design diversity, faster turnaround times, and sustainable manufacturing practices.
To thrive, interior brands must adapt their supply chains, bringing production closer to the end consumer and moving away from bulk manufacturing.
Digital textile printing offers a definitive solution to these operational bottlenecks.
Digital transformation doesn't announce itself.
It accumulates - one innovation at a time - until an entire industry looks back and realises the ground has shifted beneath its feet. That's precisely where textiles stands today.
The conversations happening now about AI, automation, sustainability, and digital product passports are not theoretical. They are shaping decisions being made on factory floors and in boardrooms right now.
“By leveraging advanced digital textile printing, Marylene Madou has successfully merged traditional craftsmanship with cutting-edge technology. Her approach offers a blueprint for how independent designers can scale their brands globally while maintaining a minimal environmental footprint.”
The textile industry is undergoing a vital transformation. As the insights from Techtextil and Texprocess reveal, the path forward relies on a combination of sustainable hardware, intelligent chemistry, and seamless digital workflows.
From Zimmer's industrial-scale energy reductions and Stratasys's on-demand 3D embellishments, to Kornit's single-step technical printing and the unified digital ecosystems of NedGraphics and Optitex, the tools for change are here. To stay competitive, brands and manufacturers must adopt these innovations, moving away from fragmented, wasteful processes towards a truly connected, circular economy.
Friedmans stands as a testament to the power of combining traditional textile knowledge with forward-thinking innovation.
“Operating from their UK headquarters, Friedmans now serves a diverse array of sectors, including swimwear, dance, entertainment, sportswear, interior decor, prosthetics, and even pet apparel. With a strategic supply chain that reliably serves clients worldwide”
The apparel decoration industry is decisively moving away from isolated, analogue production tools toward connected digital manufacturing environments.
"Kornit’s unwavering commitment to transformative technology continues to disrupt the status quo. For business leaders and innovators ready to capture the future of apparel manufacturing, the path forward is clear”
The Urgent Need for Sustainability at Scale
The transformation at Coats provides a vital blueprint for the wider textile and apparel sector. True sustainability cannot be achieved in silos. As Dearing emphasised:
“Cross-industry collaboration is the engine of meaningful change. Brands, machinery suppliers, chemical providers, and fibre producers must act as an interconnected ecosystem”
Today’s customers demand superior product quality, real-time data visibility, and lightning-fast turnaround times.
For large-scale garment decorators, managing these expectations while balancing seasonal demand fluctuations - such as the massive surges seen during Black Friday - presents a monumental challenge.
"Relying on transactional vendor relationships and outdated legacy equipment is no longer sufficient to secure long-term stability and growth.”
Printing method is never a secondary detail. It shapes the entire life cycle of a product, from concept to customer. In today’s fashion industry, where margins are tighter and speed matters more than ever, technical knowledge has become a competitive advantage.
“The future of textile design belongs to professionals who can combine creativity with execution, aesthetics with practicality, and vision with production reality”.
Are we witnessing the reinvention of Merch driven by adaptive, digital technologies?
The commercial opportunity presented by printed, personalised merchandise is already a lucrative revenue stream; it is the core driver of growth in a multi-billion-pound industry. And the mandate for print businesses is clear: automate, adapt, and offer undeniable added value, or choose to gradually lose market share.
Las Vegas – Nevada – September 2026 – BARBIERI electronics, a specialist in colour measurement technology, has announced its sponsorship of the G7+ Exchange, an industry gathering set to take place ahead of PRINTING United Expo 2026.
The event will bring together experts and professionals from across the printing sector to discuss advancements in colour management and print quality.
The G7+ Exchange will be held on 22 September 2026 at the Las Vegas Convention Center, Room N109, as part of the broader PRINTING United Expo.
FREMONT, CA. September, 2026– Fiery, LLC, the leading provider of digital front ends for the print industry, today announced it will host an exclusive webinar titled "Beyond CMYK: From more colours to more impact" on Tuesday, 6th October 2026 at 5:00pm CEST.
The 45-minute session will explore how commercial print businesses can move beyond the constraints of standard CMYK to unlock bolder colours, sharper precision, and stronger margins through expanded gamut printing.
As brands increasingly demand vibrant, exact colour matching, print providers who rely solely on standard CMYK risk falling behind.
London, UK – September 2026 – GREEN GRADS, the platform championing UK graduate eco-activists, will host a free hands-on workshop, Make Art from Waste, as part of the London Design Festival 2026.
Taking place on Monday, 14th September from 2-6pm at 21 Great Chapel Street, W1, the event invites participants to weave their own artwork from workplace textile waste, in partnership with the Surface Design Show.
Led by Green Grad and textile artist Claire Malley (@clairemalleyart), the workshop will guide attendees through the process of designing and weaving a unique piece using varied textile waste, including denim offcuts and recycled yarns.
LOS ALAMITOS, Calif. – September, 2026 – Epson will showcase its latest digital printing solutions at PRINTING United Expo 2026, the annual event bringing together the print industry to explore the latest innovations in commercial, apparel, packaging, wide-format and specialty printing.
Taking place Sept. 23-25 at the Las Vegas Convention Center in Las Vegas, Nevada, Epson will introduce new solutions for textile applications and showcase its extensive portfolio of commercial, industrial and business inkjet solutions.
Wilmington, Delaware – September 2026 – DuPont™ Artistri® Digital Printing Solutions today announced it will demonstrate fully automated direct-to-film (DTF) production live at its booth during the upcoming PRINTING United Expo.
Visitors will witness two Brown Manufacturing Group, Inc. automation lines running the complete DTF process from start to finish, offering a first-hand look at the technology reshaping the future of textile printing
Roland DG Europe has announced its renewed presence at Viscom 2026, the leading international exhibition for the visual communication industry.
The company will use the event as a platform to reinforce its position as an industry leader, while continuing to drive innovation and improvement across the sector.
Viscom 2026 will take place on 28th and 29th October at Allianz MiCo Milano, bringing together exhibitors, innovators, and decision-makers from across the visual communication landscape.r
Agfa will return to The Print Show for the third consecutive year, reinforcing its commitment to the UK print and signage market.
The event takes place at the NEC Birmingham from 29 September to 1 October 2026, with Agfa welcoming visitors to stand P510 in Hall 1.
This year, Agfa is bringing print technology, workflow software and real-world applications together to demonstrate a complete wide-format production environment.
Telford – UK – September 2026 – The Dlican DLI-360s from China print Supplies has probed to be an excellent investment for Promo Trade Print where it will be helping them meet the demand for personalised drinkware!
At The Print Show. from 29th September – 1 October 2026, CMYUK will launch its new Sign & Graphics Materials portfolio, bringing together a practical, commercially focused range of substrates for everyday display graphics, signage, décor and specialist print applications.
The new collection has been developed with a clear objective: to give customers a focused, reliable range of materials that covers their everyday application requirements, while removing unnecessary complexity from the product portfolio
Emmerich am Rhein, Nordrhein-Westfalen – September 2026 – Brother Industrial EMEA has announced that its DTRX direct-to-film (DTF) roll-to-roll printer will be demonstrated live at a special Textile Edition Open House, hosted by trusted dealer Vemar.
The event will take place on 25–26 September at Vemar's showroom in Paterno, Italy, giving visitors the chance to see the technology perform first-hand.
Crewe = Cheshire – UK – September 2026 Three new UV flatbed printers with updated automation and productivity capabilities, all equipped with next generation RasterLink workflow and RIP software will launch on the Hybrid stand at The Print Show
Mimaki has announced the introduction of three new UV flatbed printers: the large-format JFX220-2515, and the small-format UJF200 Series (UJF200-3042 and UJF200-6042).
Developed to make advanced UV printing easier to operate and more accessible to print service providers, the new products combine simplified workflows and increased automation to support more efficient, productive print operations.
Braintree, Essex – 2 September 2026 – Venture Banners, a leading UK trade-only large-format print supplier, will highlight its expanding textile signage range, including its newest solutions, at The Print Show 2026, taking place from 29 September to 1 October at the NEC, Birmingham.
Frankfurt am Main, 7 September 2026 – Heimtextil has unveiled its Trends 27/28 forecast, titled 'Home-Maxxing – The Performance of Everyday Living', developed in collaboration with Milan-based design platform Alcova.
The forecast examines how efficiency-driven thinking and technology are reshaping the design of interior spaces and textiles across residential, hospitality, workplace and healthcare environments.
Leicester UK – September 2026 – Vivid Laminating Technologies Ltd has announced the delivery of its latest Veloblade Nexus cutting system this week, produced for Krit Patel and Printvision (UK) Ltd.
The milestone marks another significant step forward in the company's mission to lead the print finishing industry with precision engineering and innovative technology.
The Veloblade Nexus represents one of Vivid Laminating Technologies' most advanced digital cutting solutions to date.
MUTOH has announced that its XpertJet 661UF UV-LED flatbed printer has been named a 2026 Pinnacle Product Award winner, recognising the device's capacity to bring professional-grade UV-LED printing to businesses of all sizes.
The compact printer enables users to print directly onto objects up to 5.91 inches thick across a 19 × 23-inch print area, all within a footprint small enough to fit in the corner of a shop.
Accrington, UK, September 7, 2026: Soyang Europe will showcase three core products from the Platinum Technologies LIYU range on its stand at The Sign Show 2026.
Following its debut in 2025, The Sign Show will return to NEC Birmingham this autumn, once again co-located with established print industry exhibition The Print Show.
This year, the two events will run from 29 September to 1 October, with thousands of visitors expected across the shows.
Soyang, which exhibited at several previous editions of The Print Show, will take the largest stand in The Sign Show section of the hall, with a focus on its new distribution partnership with Platinum Technologies LIYU
Amsterdam, Netherlands – September 2026 – Dutch fashion designer Tess van Zalinge and Epson Europe have unveiled a limited-edition scarf collection to mark the tenth anniversary of the Tess van Zalinge label.
The collaboration demonstrates the creative and environmental possibilities of digital textile printing, while giving new life to archive designs spanning a decade of the label's history.
The collection revisits three archive prints selected by Van Zalinge from collections created over the past ten years
Dorking – UK – September 7th 2026 – FESPA has announced that entries are now open for the FESPA Awards 2027, the print and signage industry's longest-standing and only independent awards programme.
To encourage early participation, FESPA is offering a 50 per cent early bird discount on all entries submitted by 7 September 2026.
Entrants who secure the reduced rate will have until 2 December 2026 to finalise and refine their submissions, giving businesses ample time to present their work at its best.
Pointcarre, a leading provider of AI-powered textile CAD software, has highlighted its new AI-driven image upscaling feature designed to help textile designers restore and enlarge low-resolution pattern files without compromising design integrity.
The new capability addresses one of the most persistent challenges in the textile industry: working with legacy or low-quality design assets.
Klagenfurt, Austria – September 2, 2026 – J. Zimmer Maschinenbau GmbH Klagenfurt and J. Zimmer Maschinenbau GmbH Kufstein | Digital Printing Systems have announced the launch of "Zimmer 2028", a strategic transformation initiative that will unite the two operating companies into a single, unified organisation effective January 1st, 2028.
The initiative represents a decisive response to evolving market demands and increasing economic pressures facing the industrial printing and textile machinery sector.
Birmingham, UK – September 2026 – Epson UK & Ireland will be exhibiting at The Print Show 2026, taking place at the NEC Birmingham from 29 September to 1 October 2026.
Visitors can find Epson at Stand S130, where the company will present live demonstrations of its latest professional printing technologies across UV, Direct-to-Garment (DTG), Direct-to-Film (DTF), and flatbed printing.
Aarhus, DK & Milwaukee, WI — September 2, 2026 — FASTSEWN will showcase the next generation of its flatbed automated textile finishing at PRINTING United 2026 with the U.S. debut demonstration of its innovative full 3.3M width StitchNCut™ flatbed sewing and laser cutting solution.
This solution is designed specifically for high-volume production of Silicone Edge Graphics (SEG), pillowcase graphics, and other grand-format and industrial textile applications.
The centerpiece of the launch will be live remote demonstrations from FASTSEWN’s headquarters, where attendees will see the company’s full-size StitchNCut 3.3-meter automated flatbed sewing and laser cutting system producing finished SEG graphics and pillow graphics under real market-based production conditions.
Newtown PA – 11 August 2026 – Hybrid Software will showcase the technologies shaping the future of print production at PRINTING United Expo 2026. At booth C1371, visitors will see how artificial intelligence, GPU-native rendering, workflow automation and advanced colour management are improving productivity, quality and efficiency across print production.
Demonstrations will span the Hybrid Software Group portfolio, including Labels & Packaging, Brandz, Helix, Color, Xitron and Meteor Inkjet.
For sticker businesses, moving from offline to online sales is more than simply adding a new sales channel.
It requires a well-structured process that makes product discovery, customization, ordering, and fulfillment as seamless as possible for the customer.
According to Wacław Mostowski, CRO & Co-founder of Antigro Designer, when implemented effectively, online sales can expand market reach, improve operational efficiency, and create new opportunities for scalable growth.
A strong e-commerce presence allows print businesses to reach customers beyond their local market while creating a more accessible and convenient buying experience.
Crewe , United Kingdom – September 2026 – Hybrid Services Ltd, the exclusive distributor of Mimaki technology across the UK and Ireland, has confirmed that its dedicated Mimaki showroom remains open to visitors five days a week following the successful conclusion of its recent Demo Weeks event.
The Demo Weeks programme welcomed a wide range of visitors to the showroom, giving attendees the opportunity to explore the latest print technology, discover new ideas and advance their Mimaki journey.
With the event now complete, Hybrid Services is reminding those who were unable to attend that the showroom continues to operate on an ongoing basis.
Open Monday to Friday, 9am to 5pm, the Mimaki showroom houses an extensive range of technology spanning sign and graphics, industrial printing, textile and apparel, and 3D printing.
Hamamatsu, Japan – 2 September 2026 – Roland DG Corporation, the world's leading provider of wide-format digital printing solutions, today announced the launch of the TrueVis AG-640, a next-generation 64-inch latex printer/cutter that expands what's possible with latex printing.
Combining low running costs, high output quality, expanded colours, dense white ink, and integrated contour cutting, the AG-640 helps print professionals move beyond traditional latex limits to take on more profitable work with confidence
Leicester – UK – September 2nd 2026 - VeriVide have launched UltraView60, a new, compact, cost-effective colour assessment cabinet that expands the existing UltraView product range and makes its tuneable LED technology accessible to more organisations.
Developed as a lower cost entry into the UltraView range, UltraView60 gives businesses, who have limited space available, the opportunity to benefit from the features and colour assessment capabilities in VeriVide’s UltraView technology.
Anglesey – September 2026 – Nova Chrome UK, one of the UK's longest-standing suppliers of dye sublimation printing solutions, has announced it will exhibit at The Print Show, taking place at NEC Birmingham.
Visitors can find the company at Stand P240, Hall 1, where its specialists will showcase the latest sublimation products and equipment.
Telford, UK – September 2026 – China Print Supplies UK Ltd invites businesses considering an investment in new print equipment to experience a range of machines in action at its showroom, where prospective buyers can assess print quality, ask questions, and test their own materials before committing to a purchase.
As demand for high-quality, versatile printing solutions continues to grow, seeing equipment perform under real conditions has become an increasingly valuable step in the buying process.
China Print Supplies is addressing this need by offering hands-on access to a selection of its latest demonstration machines, allowing customers to make informed decisions with confidence.