From Helsinki's printing mill to Paris's Le Marais, discover how Marimekko is scaling a design-led brand with purpose, craft, and bold innovation.
But what makes Marimekko's story compelling is not just its aesthetic legacy?
Image Credit: Marimekko
Few fashion and design brands carry their heritage as confidently as Marimekko. Since its founding in Helsinki in 1951, the Finnish label has built an identity so distinctive that its prints are instantly recognisable - bold, geometric, unapologetically colourful.
But what makes Marimekko's story compelling is not just its aesthetic legacy. It's the way the company has used that legacy as a springboard for growth, innovation, and responsible production, without ever diluting what makes it unique.
With a Paris flagship now open in Le Marais, continued expansion across Asia-Pacific, and a Helsinki printing mill producing one million metres of fabric per year, Marimekko offers a masterclass in scaling a design-led brand with purpose and precision.
A Factory at the Heart of Everything
Start with the source. Marimekko's Helsinki printing mill is the beating heart of the brand - the place where its iconic fabrics come to life. Producing approximately one million metres of printed textile each year, the factory is central to both the brand's identity and its quality control.
This level of in-house production is rare. Most fashion and lifestyle brands have outsourced manufacturing to reduce costs. Marimekko's decision to maintain a domestic printing facility speaks to a deeper philosophy: that the integrity of a print, from design to finished fabric, cannot be fully preserved at arm's length.
The mill also serves as an architectural reference point. When Marimekko opened its first Paris flagship in October 2025, the store's interior drew direct inspiration from the Helsinki printing mill - combining bold hues with industrial materials to create a space that feels alive and distinctly Marimekko. The result is a retail environment where the brand's manufacturing roots are made visible, turning the shop floor into a kind of homage to the craft behind the product.
Sustainability as Strategy, Not Afterthought
Marimekko's sustainability objectives are woven into its broader business strategy rather than treated as a separate initiative. For a brand built on textiles - one of the most resource-intensive industries in the world - this matters enormously.
The company's commitment to eco-conscious production is reflected in both materials and methods. One of the most striking examples is its use of laser-marked denim. Traditional denim finishing processes, particularly stone-washing and sandblasting, are water-heavy and often involve harmful chemicals. Laser marking replaces these processes with precision technology that uses no water and significantly reduces chemical waste. The result? Denim that achieves the same worn, textured finish through a cleaner, more controlled method.
This kind of innovation demonstrates that sustainability and quality are not competing priorities. Laser technology allows for greater design precision, which aligns directly with Marimekko's commitment to craftsmanship. It is a case study in how the right technological investment can simultaneously reduce environmental impact and improve the product.
Home Furnishings: Where the Prints Live Longest
Marimekko's product portfolio spans clothing, bags, accessories, and home décor - and it is in the home furnishings category that the brand's prints often make their most lasting impression. Tableware, textiles, and soft furnishings carry Marimekko's visual language into everyday domestic spaces, turning the morning coffee ritual or the dining table into a small act of design appreciation.
At the Paris Le Marais store, this dimension of the brand is given prominent space. Marimekko mugs, plates, tumblers, and gift wrapping sit alongside curtains in signature prints, bags, and apparel. The store functions less like a conventional retail outlet and more like a curated environment - a total design world that customers can step into and, piece by piece, take home.
This approach to home furnishings is significant commercially, too. Unlike fashion, which turns over seasonally, well-made homeware has a longer purchase lifecycle and tends to attract customers who are investing in the brand rather than simply buying a trend. For Marimekko, whose prints are genuinely timeless, this is a natural and profitable positioning.
Fashion With a Design Identity
On the fashion side, Marimekko's clothing range maintains the same visual confidence as its homeware. The brand's dresses, in particular, have served as a canvas since 1951 - and the archive is rich with decades of design evolution.
In March 2025, Marimekko brought that archive to Paris in an especially compelling way. The brand participated for the first time in Matter and Shape, a design salon held in the Jardin des Tuileries. The installation presented a conceptual reinterpretation of Marimekko's print archive, with original fabric swatches spanning multiple decades on display for visitors to engage with directly. Simultaneously, the Le Marais flagship hosted a pop-up of rare archive dresses, curated by Creative Director Rebekka Bay, available to vintage enthusiasts from 6–9 March.
Together, these two activations told a coherent story: that Marimekko's fashion output is not ephemeral trend-chasing, but the product of a living design archive. The brand's prints endure precisely because they were never designed to be of the moment - they were designed to be themselves.
Paris and the Logic of Western Expansion
The decision to open a Paris flagship makes cultural and commercial sense. Paris is a city where design literacy runs deep, where consumers are attuned to the difference between surface-level aesthetics and genuine craft. Marimekko's prints - bold, architectural, instantly recognisable - translate well into that context.
Located at 120 Rue Vieille du Temple in Le Marais, the store sits in one of Paris's most design-forward neighbourhoods. The opening weekend was a neighbourhood event in the truest sense, spilling into the streets with music, festivities, and a collaboration with local florist Castor Fleuriste, whose bouquets were wrapped in Marimekko fabrics during the launch week. It was a confident, joyful market entry - precisely the tone a brand with Marimekko's heritage should strike.
With over 170 stores globally and an online presence serving customers in 39 countries, the Paris store is part of a considered retail expansion, not a speculative one.
Asia-Pacific: The Growth Engine
While the Paris opening drew attention, Marimekko's most commercially significant growth market is Asia-Pacific. The brand identifies the region as one of its key markets alongside Northern Europe and North America - and for good reason.
Consumer appetite for design-led lifestyle brands in markets such as Japan, South Korea, and Australia has created fertile ground for Marimekko's proposition. The brand's emphasis on originality, craftsmanship, and longevity resonates strongly in markets where quality is prized and brand identity matters. Asia-Pacific is not a secondary market for Marimekko - it is central to the company's long-term growth ambitions.
In 2025, the company's net sales totalled EUR 190 million, with a comparable operating profit margin of 17.1 percent. These figures reflect a business that has found a sustainable growth model - one that does not depend on volume alone, but on the enduring value of a strong design identity.
What Marimekko's Model Actually Proves
The Marimekko case is instructive for anyone watching how design-led brands navigate scale. The company has grown its revenue and global footprint without chasing mass-market accessibility. Its Helsinki factory continues to produce fabric domestically. Its sustainability work is embedded in production processes, not bolted on as marketing. Its retail environments are extensions of the brand's design world, not just points of sale.
Most strikingly, the archive is treated as an asset, not a museum piece. The Matter and Shape installation and the Paris pop-up are examples of a brand that understands its history is commercially relevant - that customers want to engage with where a brand comes from, not just where it is now.
Bold prints and a clear sense of purpose have carried Marimekko from a small Helsinki textile company to a EUR 190 million global business. The next chapter, from the banks of the Seine to the markets of Asia-Pacific, looks equally vivid.
What Marimekko's Model Actually Proves
The Marimekko case is instructive for anyone watching how design-led brands navigate scale.
The company has grown its revenue and global footprint without chasing mass-market accessibility. Its Helsinki factory continues to produce fabric domestically. Its sustainability work is embedded in production processes, not bolted on as marketing. Its retail environments are extensions of the brand's design world, not just points of sale.
Most strikingly, the archive is treated as an asset, not a museum piece. The Matter and Shape installation and the Paris pop-up are examples of a brand that understands its history is commercially relevant - that customers want to engage with where a brand comes from, not just where it is now.
Bold prints and a clear sense of purpose have carried Marimekko from a small Helsinki textile company to a EUR 190 million global business. The next chapter, from the banks of the Seine to the markets of Asia-Pacific, looks equally vivid.
Rebés's story isn't one of nostalgia - It's a working blueprint for how heritage manufacturers can stay indispensable in a market that rewards speed, certification, and specificity in equal measure. Four million metres of stock mean nothing without the digital printing capability to turn it into something distinctive.
A 150-year name means nothing without the R&D discipline to win a tender for antistatic, carbon-fibre-infused uniform fabric on the first attempt.
Image Credit: Tejidos Rebé
What if the next dress you wore never touched the factory floor?
This is no longer a fringe experiment. It is a maturing production model, backed by genuine material science, real circularity, and an AI-assisted workflow that is becoming more accessible by the month.
Her advice to designers and brands alike is refreshingly practical: start small, get hands-on with an accessible 3D printer, and build fluency before the technology becomes table stakes. The businesses that treat this moment with curiosity, rather than scepticism, will be the ones shaping fashion's next decade rather than reacting to it.
The 2027 FESPA Awards are now open for entry, and the message to businesses across textiles, apparel, interiors and beyond is simple: your work deserves recognition. Every gold winner featured here started in the same place every entrant does - with a project they believed was worth submitting.
As the only independent awards programme with 18 categories dedicated to print and signage, FESPA offers a genuinely global stage, with shortlisted entries displayed at FESPA Global Print Expo in Spring 2027.
Colour Is Too Important to Leave to Chance
Print will always be the part of the garment people see first.
But the sum of all parts — the fabric, the trims, the fasteners, the finish — is what determines whether a design actually delivers on its promise. Brands that continue to treat colour as a single creative decision, rather than a coordinated technical discipline spanning their entire supply chain, will keep paying for it in re-dips, delays, and disappointed design teams.
A Century of Textiles, and an Ever-changing World
Few companies can trace their roots back more than a century and still count themselves among their industry's innovators. Texia, headquartered in Monistrol de Montserrat, Spain, is one of them.
But the story of Texia is not simply one of longevity.
It is a story of continual reinvention. As the textile industry has grown more global and competitive, Texia has repeatedly reshaped its business, investing in technology, developing its own brands, and placing sustainability at the centre of its mission. In doing so, it offers a compelling example of how a heritage manufacturer can lead rather than follow through a period of profound industry change. Image Credit: Texia
What are we craving Ultimately?
The instinct to slow down while simultaneously optimising every measurable aspect of life isn't a passing curiosity. It's a structural response to a world that feels increasingly unstable, and it's reshaping what people expect from their homes, hotels, workplaces and healthcare environments alike.
For the design and manufacturing sectors, this means rethinking both product and process.
The Structual Shift is Real and its Already Here
Volumes are moving east, where digital production is accelerating rapidly. Consumer behaviour has shifted.
Demand is now driven by personalisation, shorter buying cycles, and an expectation of near-instant responsiveness. Regulatory pressure is intensifying, with supply chain transparency now a legal and commercial fact in many markets. And margins? They are under sustained, structural pressure.
This is not a temporary disruption. It is a fundamental reordering of how textile manufacturing must operate.
The Challenge: Standing Firm as the Industry Shifts
The wallpaper landscape has changed dramatically. Digital printing has lowered the barrier to entry, spawning countless direct-to-consumer brands and pushing much of the market towards faster, cheaper production.
At the same time, manufacturing in the UK has grown steadily harder - rising minimum wage, national insurance, energy and substrate costs all bear down on margins. Surface Print have embraced all of these challenges - and stand resolutely prepared for the future.
From Helsinki's printing mill to Paris's Le Marais, discover how Marimekko is scaling a design-led brand with purpose, craft, and bold innovation.
But what makes Marimekko's story compelling is not just its aesthetic legacy?
The word "toxic" carries weight. It conjures danger, harm, and things best avoided.
“Yet in the textile industry - Where between 3,000 and 10,000 chemicals move through the supply chain, a reflexive fear of the term is one of our biggest obstacles to progress.”
This article distils the key takeaways and what buyers, designers, and brands should be asking right now.
What Is the Digital Product Passport?
At its core, a Digital Product Passport is a digital record attached to a physical product - For a printed textile product, this means the DPP would capture data on the substrate, inks and dyes used, the printing process and technology, chemical compliance, environmental impact (including water and energy use), supply chain traceability, and end-of-life instructions.
The Market Gap that Changed Everything
Future Fashion was founded in 2019, timed deliberately to coincide with a pivotal moment in global textile technology: the commercial launch of the EFI Reggiani BOLT Single-Pass digital printing system.
The founders recognised that single-pass architecture had fundamentally changed what was industrially possible - and that Pakistan's domestic market had yet to catch up.
Print is no longer defined by the inefficiencies that once characterised it…as advances in production processes and technology have significantly improved its environmental performance.
Taran Rai, Corporate Sustainability Manager at Epson explains why?
The story of what happens when young designers access digital technology is still being written.
What once was a theoretical sustainability goal seems to have shifted into an active regulatory reality.
Is the Textile Market Finally Recovering?
After a difficult few years, there are genuine reasons for optimism. Duncan was candid about the challenges: "The market for textiles has been very difficult over the last three years. I'm not going to hide the truth there. But the tide is turning.“
A profound shift is currently reshaping the sector
Changing consumer expectations demand greater design diversity, faster turnaround times, and sustainable manufacturing practices.
To thrive, interior brands must adapt their supply chains, bringing production closer to the end consumer and moving away from bulk manufacturing.
Digital textile printing offers a definitive solution to these operational bottlenecks.
Digital transformation doesn't announce itself.
It accumulates - one innovation at a time - until an entire industry looks back and realises the ground has shifted beneath its feet. That's precisely where textiles stands today.
The conversations happening now about AI, automation, sustainability, and digital product passports are not theoretical. They are shaping decisions being made on factory floors and in boardrooms right now.
“By leveraging advanced digital textile printing, Marylene Madou has successfully merged traditional craftsmanship with cutting-edge technology. Her approach offers a blueprint for how independent designers can scale their brands globally while maintaining a minimal environmental footprint.”
The textile industry is undergoing a vital transformation. As the insights from Techtextil and Texprocess reveal, the path forward relies on a combination of sustainable hardware, intelligent chemistry, and seamless digital workflows.
From Zimmer's industrial-scale energy reductions and Stratasys's on-demand 3D embellishments, to Kornit's single-step technical printing and the unified digital ecosystems of NedGraphics and Optitex, the tools for change are here. To stay competitive, brands and manufacturers must adopt these innovations, moving away from fragmented, wasteful processes towards a truly connected, circular economy.
Friedmans stands as a testament to the power of combining traditional textile knowledge with forward-thinking innovation.
“Operating from their UK headquarters, Friedmans now serves a diverse array of sectors, including swimwear, dance, entertainment, sportswear, interior decor, prosthetics, and even pet apparel. With a strategic supply chain that reliably serves clients worldwide”
The apparel decoration industry is decisively moving away from isolated, analogue production tools toward connected digital manufacturing environments.
"Kornit’s unwavering commitment to transformative technology continues to disrupt the status quo. For business leaders and innovators ready to capture the future of apparel manufacturing, the path forward is clear”
Mönchengladbach, Germany – Monforts will showcase its latest advances in finishing, coating and energy-efficient processing at India ITME 2026, as the region's textile manufacturers increasingly look beyond volume production towards higher-value fabrics.
The German finishing machinery specialist will exhibit in Greater Noida , India at stand A5 in Hall 1 from December 4-9.
Milan, Italy – October 22nd 2026 – Agfa Inkjet Solutions today announced it will present its award-winning Jeti Bronco H3300 HS live at Viscom Italia 2026, taking place 28–29 October at the Allianz MiCo Convention Center.
Visitors can see the hybrid wide-format printer in action at Stand 8 B17/C20, where Agfa will demonstrate its capabilities for sign and display businesses seeking greater productivity without compromising on image quality.
The 3.3-metre Bronco H3300 HS delivers print speeds of up to 450 m²/h while maintaining high image quality, combining the flexibility to handle both rigid and roll media in a single hybrid platform.
Berlin, Germany – 21 October 2026 – NVIDIA today announced that Europe's leading ecosystem partners are adopting the NVIDIA DSX™ AI Factory Platform to build AI factories that minimise water consumption for cooling and use less power for the same AI output.
The platform also helps partners bring new capacity online faster and adapt workload power consumption to support grid reliability.
NVIDIA DSX is a full-stack AI factory reference architecture, co-innovated with the world's leading infrastructure companies, in which compute, networking, storage, software, power and cooling are codesigned as one system.
East Sussex, UK – October 2026 – Vivid Laminating Technologies has announced that Pureprint Group, a leading print and marketing services business, has selected its multi award-winning Veloblade technology for use across its operations.
The decision underscores a shared commitment to innovation and efficiency within the print industry.
Imst – Ostreich – October 2026 – DyStar, a global leader in textile chemistry and innovative solutions, has announced its pivotal role in helping Textildruck Imst (TDI) achieve successful certification of the German "Multitarn" camouflage print.
The achievement, reached within a matter of months despite an ambitious timeline and exceptionally stringent requirements, enabled production to commence on schedule as part of a strategic collaboration with Getzner Textil.
The certification process demanded rigorous standards across colour performance, durability, infrared signature, and safety compliance.
From the outset, DyStar supported TDI by supplying the necessary products, technical expertise, and hands-on application support required to meet these demanding benchmarks.
Milan, Italy – October 2026– Epson will present its latest advancements in signage, UV printing and textile customisation at VISCOM 2026, taking place at Allianz MiCo Milan on 28-29 October.
Visitors can find Epson at Gate 3, Stand G14, where the company's specialists will demonstrate how its newest technologies are helping businesses expand into high-value applications through superior print quality and precise colour management.
As visual communication and personalisation markets continue to evolve at pace, Epson is positioning itself at the forefront of that change.
Leicester, UK – October 2026 – VeriVide is an official RAL Distributor in the United Kingdom, giving UK designers, specifiers and manufacturers direct access to the complete range of RAL colour standard products.
The appointment reinforces VeriVide's commitment to supporting the architecture, interior design, and industrial design sectors with reliable, globally recognised tools for accurate colour communication.
South Normanton – UK – October 2026 – Sun Chemical, a global leader in printing inks, coatings, and pigments, today reinforced the importance of looking beyond colour when selecting dyes for printing inks, urging formulators and manufacturers to weigh performance data alongside colour accuracy to achieve reliable, long-lasting results.
While colour remains a defining factor in dye selection, Sun Chemical emphasises that performance properties are equally critical to a dye's overall suitability for an application.
These include lightfastness, which is shaped by dye concentration, binder composition, substrate, and testing conditions; resistance properties, such as bleed resistance and over-lacquering resistance; and migration behaviour, which can vary depending on the substrate, coating, and storage conditions.
United Kingdom – October 2026 – Textile Skills Centre has announced a new Design to Print Competition in partnership with Prinfab, the UK's leading digital fabric printer.
The competition invites UK schoolchildren aged 5 to 18 to submit original textile designs or artwork for the chance to see their work professionally printed onto fabric.
The initiative aims to give young designers a tangible, industry-standard outcome for their creative work, while introducing them to the practical realities of textile design and digital printing.
Telford, UK – October 2026 – Ricoh UK has announced the return of Print Evolution Live, its flagship industry event, for a fourth consecutive year.
Taking place on 10-11 November 2026 at Ricoh's Telford site, the event will once again bring together leaders from across the print sector to explore the strategic shifts shaping the industry's future.
Karachi – Pakistan – October 2026 – ZIMMER AUSTRIA successfully concluded its participation at IGATEX PAKISTAN 2026, one of the region's leading exhibitions for textile and garment technology.
The event highlighted a growing shift among Pakistani manufacturers toward high-value technical textile production, a trend that aligns closely with ZIMMER AUSTRIA's innovative solutions.
Throughout the exhibition, ZIMMER AUSTRIA demonstrated the capabilities of its #magnoroll and #colaris technologies, both designed to support manufacturers moving into advanced technical textile segments, including coating, printing, and specialty fabric production.
Southend – Essex – October 2026 – Vivid Laminating Technologies Ltd has announced the successful installation of its multi award-winning VeloBlade Nexus cutting system at Guardian Exhibition and Display, a leading name in the exhibition and display industry.
The installation, completed last week, equips Guardian Display with one of the most advanced cutting solutions available, reinforcing the sector's ongoing shift towards greater automation and precision.
Uxbridge, UK – October 2026 – Perfect Colours will host a Celebration in Colour event on Thursday 5 November at the Xerox UK IC Centre in Uxbridge, giving attendees a first-hand look at the new Proficio colour presses in action.
The event will showcase the capabilities of the Proficio range, with live demonstrations featuring a striking collection of fluorescent colours designed to push the boundaries of what print professionals can achieve with colour technology.
Goor – Netherlands – October 2026 – ColGraphix, a company at the forefront of innovation in the transfer paper industry, today announced the appointment of Gijsbert Harmsen as its new Senior Account Manager.
Harmsen brings with him a wealth of industry expertise and an extensive professional network, strengthening ColGraphix's position as it continues to lead the market into a more sustainable and efficient future.
October 2026 – Epson has today featured the availability of the SureColor G9000, the first high-production, roll-to-roll Direct-To-Film (DTFilm) printer in its line-up.
Designed for commercial garment decorators and textile producers, the new printer addresses the industry's growing demand for greater speed, reliability and reduced hands-on maintenance, whatever the production environment.
The SureColor G9000 is built around a complete Epson ecosystem, combining Epson inks, printheads and software with Epson EdgePrint or Fiery Digital Factory RIPs
Frankfurt am Main, 14th October 2026 – With the new premium segment Carpets & Rugs Excellence, the Comfort & Connect area and the Heimtextil Trends 27/28, Heimtextil 2027 is sharpening its offering for a market under pressure.
Running from 12 to 15 January 2027, the leading trade fair for home and contract textiles and textile design will showcase innovations across the entire value chain, from fibres and yarns to designs by international studios, finished collections and complete interior solutions.
Milan, Italy – October 2026 – BARBIERI Electronics, a leading innovator in colour measurement technology, today announced its participation in VISCOM Italia 2026, taking place at Allianz MiCo in Milan on 28–29 October 2026.
The company will exhibit at Booth A14 alongside its Italian distributor, Tecnologie Grafiche, presenting its latest spectrophotometer solutions to the digital printing industry.
Altham – Lancashire – October 2026 – Soyang Europe has announced the appointment of Glen Nunkoo as its new Business Development Manager.
Glen joins the team with over 20 years of industry experience across both hardware and media, and will be responsible for managing customer relationships across the Midlands and North West regions.
Glen's appointment reflects Soyang's ongoing commitment to strengthening its customer relationships and delivering a consistently high standard of service as the business continues to grow.
Clay Cross- UK – October 2026– Resolute DTF today features their R-JET PRO DTF™ UV61-3Di, a UV DTF printer engineered to elevate promotional products with striking three-dimensional effects.
Using advanced tilt print head technology, the new machine produces stunning TPU and Crystal Patch embossed finishes on a wide range of everyday items, offering businesses a new way to differentiate their products in an increasingly competitive market.
SOUTH NORMANTON, UK – October 2026 – Sun Chemical today featured Cinquasia® Magenta D 4200 J, a state-of-the-art Quinacridone pigment engineered specifically for digital ink formulations.
The new pigment delivers vibrant yellowish magenta shades alongside outstanding colour performance, reinforcing Sun Chemical's position at the forefront of pigment innovation for the printing industry.
Ratingen, Germany – October 2026 – Gonzo Design, a full-service advertising specialist covering textile printing, digital printing, signage and vehicle lettering, has invested in Fujifilm's Acuity Triton large-format UV inkjet printer featuring Aquafuze ink technology.
The move marks a significant step in the company's drive to raise print quality, broaden application versatility and improve air quality within its production facility.
Reading – UK – October 2026– Roland DG Europe today highlights the DGXpress ER-641, a dedicated print-only solution designed to help print businesses deliver professional-grade graphics without stretching their budgets.
The new device addresses a growing need in the industry: balancing high-quality output with manageable production costs and everyday workflow demands.
As print businesses look to scale, every investment must work harder to justify its place in day-to-day operations.
The ER-641 has been engineered with this challenge in mind, offering a focused, print-only solution that keeps both initial investment and ongoing running costs firmly in check.
Tokyo – Japan – October 2026 – Klieverik has announced the successful delivery and installation of another GTC131-2000SP FL calendering line, which has safely arrived at its new home with a customer in Japan.
The milestone underscores Klieverik's continued commitment to providing reliable, high-performance machinery to manufacturers across the globe.
Leicester, UK – October 2026 – VeriVide Limited, a leading provider of colour assessment solutions, has confirmed its attendance at the Society of Dyers and Colourists (SDC) Coloration & Finishing Conference 2026, taking place in Bradford on the 15th October.
The company will exhibit throughout the event and deliver presentations on the industry's transition to LED lighting and the evolution of visual and digital colour assessment
Ottawa, Ontario – October 2026 – Corel today announced it will host a live webinar exploring how organisations can unify branding, signage, print and digital work into a single, flexible creative workflow.
The session takes place tomorrow, October 14th , and is open to creative professionals, studio leads and business owners looking to streamline how their teams produce and deliver work across formats.
Bologna, Italy – October 2026 – Valiani, a leading innovator in precision cutting technology, has today announced the launch of its new GEN 2 cutting machine at FAMAART Bologna.
Designed specifically for high-volume matboard production, GEN 2 represents a significant step forward in the industry's pursuit of greater efficiency without compromising on quality.
Fremont – Ca – October 2026 - Fiery, a global leader in digital front end (DFE) technology for print, has announced that the full recording of its webinar, Beyond CMYK: From More Colours to More Impact, is now available on demand.
The session addresses a pressing challenge facing today's commercial print providers: how to move beyond the limitations of standard CMYK to meet rising client demands for bold, brand-accurate colour.
Dubai, UAE – October 2026 – FESPA’s exclusive Leadership Exchange event, FLEX, will return to Dubai on 26 November 2026, bringing together senior figures from across the Middle East's print and signage industries for a day of strategic dialogue and knowledge sharing.
London, UK – October 2026 – Sanderson Design Group plc. has today announced a robust first-half performance, underpinned by sustained momentum across its business and the continued delivery of its focused growth strategy.
The results highlight the Group's growing international reach and its commitment to building a more resilient, sustainable future for the design industry.
Revenue for the period rose to £51.4m, while statutory profit before tax increased by 69% to £2.5m.
Adjusted profit before tax also grew significantly, up 47% to £3.3m
Telford, UK – October 2026 – China Print Supplies UK Ltd has today released its new 2026 price list, introducing new machines, updated bundle deals, and revised pricing across its range of print, cutting, and finishing solutions.
The updated catalogue reflects the company's ongoing commitment to equipping print businesses with reliable, cost-effective equipment as the industry continues to evolve.
With new machinery added to the lineup and refreshed bundle options, China Print Supplies UK aims to make it easier for customers to find solutions tailored to their operational needs and budgets.