LEARN HOW EPSON X BIRMINGHAM CITY UNIVERSITY ARE WORKING TOGETHER TO EDUCATE THE NEXT DESIGN GENERATION
“The Epson technology suite at Birmingham City University now incorporates an arsenal of digital textile printing equipment including the SureColor SC-F6200, the SureColor SC-F9200 Dye Sublimation machines and the Epson SureColor SC-F2100 – DTG with the addition of new SC-F100 A4 printer launched late in 2020.”
WRITTEN BY DEBBIE MCKEEGAN FESPA TEXTILE AMBASSADOR
The future of the print industry is in the hands of the next generation.
As digital nomads’ creative students are both curious and inherently digital. Digital in their designer DNA - but getting hands on time with digital technologies can be a lottery dependent on which University they attend. For the students at Birmingham City University, Faculty of Arts Design and Media, that’s not an issue, the university has a close allegiance with EPSON who have for a number of years supported the print department by providing digital print equipment for educational purposes. The Epson technology suite at Birmingham City University now incorporates an arsenal of digital textile printing equipment including the SureColor SC-F6200, the SureColor SC-F9200 Dye Sublimation machines and the Epson SureColor SC-F2100 – DTG with the addition of new SC-F100 A4 printer launched late in 2020.
With a team of technical support staff headed by Kelly Marie Sifleet, Printed Textiles Senior Textile Demonstrator, the students are given access to a suite of digital printing technologies with which they can explore their creative ambitions.
It’s with this freedom that the students can push at the boundaries of design.
Often driving the original applications of technology to new heights. Freed from the commercial restraints of conventional practice whilst working in an educational environment, the students naturally question “the norm” and seek to use the technology in new ways, challenging convention.
It’s an exciting, experimental environment and one where creativity flourishes.
Kelly and the team are equally passionate about print and encourage their students to experiment with unusual materials and multi-media. Thinking outside of the box has brought incredible results – mixing screen printing, devore, hand silk screen printing together with both flat-bed, digital direct to garment and inkjet roll to roll transfer print methods creates textiles that take on a new life and tactile layers, all of which stimulates a new generation of experimental textiles and the products which are crafted from these new-gen fabrics.
Sustainability is also a huge part of the future – where circular process starts with the designer.
In their most recent collaboration, the team at Epson and the academic staff at Birmingham City University have set the students a new challenge. A challenge that will be made equally challenging in lockdown. The design brief, to look at how you can recycle what you already have – to repurpose the fabrics that would once be discarded and give them new life. For this the students must look to their wardrobes, linen cupboards and household textile waste. Nothing is to be discounted, as an experimental project the students can also look to mix both natural and synthetic blended textiles. Using the new SC-F100 A4 Dye sublimation printer, each student will the opportunity to work from home. Sharing the equipment - the machine is portable and offers a flexible low-cost solution for dye sublimation printing using an A4 plate. Once printed the A4 sheets of paper can be transferred using a heat transfer process and a domestic iron onto the experimental fabrics. The results will speak for themselves – as their creativity explores the potential of waste and establishes new principles for circular design which is often discussed only as fibre recycling – but here the students are breathing new life into pre-used fabrics which are being repurposed and given a new existence.
The Epson technology suite at Birmingham City University has been a valuable resource for the students.
Amelia Magee a second-year textile design student commented: “I like layering different traditional print processes with sublimation printing because it gives my samples several depths of colour, which makes them more eye catching and unique. I also like that the layering means that the samples then have more texture to them.”
Amelia Magee a second-year textile design student commented: “I like layering different traditional print processes with sublimation printing because it gives my samples several depths of colour, which makes them more eye catching and unique. I also like that the layering means that the samples then have more texture to them.”
Studying Fashion design, a recent graduate Fabiola De Souza commented:
“I enjoy working with the sublimation printer as the finished product created gives a lasting and vibrant effect because the sublimation printer offers the use of unlimited colours, not limiting my colour palette in any way. The Sublimation printer is also quick and easy to use and the results will guarantee no loss of colour. The software also allowed me to visualise errors within my print in terms of creating fluid repetitive prints. The sublimation printer was also time effective as I could have my fabric digitally printed the same day. This is especially useful for me to experiment with colour, fabric and print scale allowing for minimum waste as no dye will get into the water and the same sublimation print paper can be used many times. The colour intensity on fabric will vary but the number of creative and unique outcomes is limitless.”
The students at Birmingham City University are carving a new footprint for both Fashion design, Printed Textiles and Material choices all of which will revitalise the Fashion Industry and move forward to make bold steps towards into a new digital future - where design and technology are used in parallel to create a sustainable industry.
Kelly-Marie, Technical support technician at Birmingham City University, commented that their collaboration with Epson has provided vital support for students. “Helping them to understand design – whether that’s for a garment, an Interior space or commercial textile print. Practical experience instils an understanding of the importance of print quality, technical process, colour and scale. Epson technology is very user-friendly said Kelly-Marie. Once the student is inducted, they use the software and printers on their own, this allows student to troubleshoot and have full understanding of software and the whole process journey. Our workshop setup with digital and screen print workshop next to each other encourages students to overprint and overlay processes – encouraging mixed media. In being experimental when combining processes – creativity becomes reality”
“The Epson technology excites and encourages students to have freelance design equipment because the machinery is practical, offers easy maintenance and allows the young design entrepreneur to have a creative home studio. The advantages of the Epson kit are that you have instant and quick results - we live in a very digital, very accessible world and the Epson technology is the most popular choice with students because of the instant results” Kelly added.
The 2027 FESPA Awards are now open for entry, and the message to businesses across textiles, apparel, interiors and beyond is simple: your work deserves recognition. Every gold winner featured here started in the same place every entrant does - with a project they believed was worth submitting.
As the only independent awards programme with 18 categories dedicated to print and signage, FESPA offers a genuinely global stage, with shortlisted entries displayed at FESPA Global Print Expo in Spring 2027.
Colour Is Too Important to Leave to Chance
Print will always be the part of the garment people see first.
But the sum of all parts — the fabric, the trims, the fasteners, the finish — is what determines whether a design actually delivers on its promise. Brands that continue to treat colour as a single creative decision, rather than a coordinated technical discipline spanning their entire supply chain, will keep paying for it in re-dips, delays, and disappointed design teams.
A Century of Textiles, and an Ever-changing World
Few companies can trace their roots back more than a century and still count themselves among their industry's innovators. Texia, headquartered in Monistrol de Montserrat, Spain, is one of them.
But the story of Texia is not simply one of longevity.
It is a story of continual reinvention. As the textile industry has grown more global and competitive, Texia has repeatedly reshaped its business, investing in technology, developing its own brands, and placing sustainability at the centre of its mission. In doing so, it offers a compelling example of how a heritage manufacturer can lead rather than follow through a period of profound industry change. Image Credit: Texia
What are we craving Ultimately?
The instinct to slow down while simultaneously optimising every measurable aspect of life isn't a passing curiosity. It's a structural response to a world that feels increasingly unstable, and it's reshaping what people expect from their homes, hotels, workplaces and healthcare environments alike.
For the design and manufacturing sectors, this means rethinking both product and process.
The Structual Shift is Real and its Already Here
Volumes are moving east, where digital production is accelerating rapidly. Consumer behaviour has shifted.
Demand is now driven by personalisation, shorter buying cycles, and an expectation of near-instant responsiveness. Regulatory pressure is intensifying, with supply chain transparency now a legal and commercial fact in many markets. And margins? They are under sustained, structural pressure.
This is not a temporary disruption. It is a fundamental reordering of how textile manufacturing must operate.
The Challenge: Standing Firm as the Industry Shifts
The wallpaper landscape has changed dramatically. Digital printing has lowered the barrier to entry, spawning countless direct-to-consumer brands and pushing much of the market towards faster, cheaper production.
At the same time, manufacturing in the UK has grown steadily harder - rising minimum wage, national insurance, energy and substrate costs all bear down on margins. Surface Print have embraced all of these challenges - and stand resolutely prepared for the future.
From Helsinki's printing mill to Paris's Le Marais, discover how Marimekko is scaling a design-led brand with purpose, craft, and bold innovation.
But what makes Marimekko's story compelling is not just its aesthetic legacy?
The word "toxic" carries weight. It conjures danger, harm, and things best avoided.
“Yet in the textile industry - Where between 3,000 and 10,000 chemicals move through the supply chain, a reflexive fear of the term is one of our biggest obstacles to progress.”
This article distils the key takeaways and what buyers, designers, and brands should be asking right now.
What Is the Digital Product Passport?
At its core, a Digital Product Passport is a digital record attached to a physical product - For a printed textile product, this means the DPP would capture data on the substrate, inks and dyes used, the printing process and technology, chemical compliance, environmental impact (including water and energy use), supply chain traceability, and end-of-life instructions.
The Market Gap that Changed Everything
Future Fashion was founded in 2019, timed deliberately to coincide with a pivotal moment in global textile technology: the commercial launch of the EFI Reggiani BOLT Single-Pass digital printing system.
The founders recognised that single-pass architecture had fundamentally changed what was industrially possible - and that Pakistan's domestic market had yet to catch up.
Print is no longer defined by the inefficiencies that once characterised it…as advances in production processes and technology have significantly improved its environmental performance.
Taran Rai, Corporate Sustainability Manager at Epson explains why?
The story of what happens when young designers access digital technology is still being written.
What once was a theoretical sustainability goal seems to have shifted into an active regulatory reality.
Is the Textile Market Finally Recovering?
After a difficult few years, there are genuine reasons for optimism. Duncan was candid about the challenges: "The market for textiles has been very difficult over the last three years. I'm not going to hide the truth there. But the tide is turning.“
A profound shift is currently reshaping the sector
Changing consumer expectations demand greater design diversity, faster turnaround times, and sustainable manufacturing practices.
To thrive, interior brands must adapt their supply chains, bringing production closer to the end consumer and moving away from bulk manufacturing.
Digital textile printing offers a definitive solution to these operational bottlenecks.
Digital transformation doesn't announce itself.
It accumulates - one innovation at a time - until an entire industry looks back and realises the ground has shifted beneath its feet. That's precisely where textiles stands today.
The conversations happening now about AI, automation, sustainability, and digital product passports are not theoretical. They are shaping decisions being made on factory floors and in boardrooms right now.
“By leveraging advanced digital textile printing, Marylene Madou has successfully merged traditional craftsmanship with cutting-edge technology. Her approach offers a blueprint for how independent designers can scale their brands globally while maintaining a minimal environmental footprint.”
The textile industry is undergoing a vital transformation. As the insights from Techtextil and Texprocess reveal, the path forward relies on a combination of sustainable hardware, intelligent chemistry, and seamless digital workflows.
From Zimmer's industrial-scale energy reductions and Stratasys's on-demand 3D embellishments, to Kornit's single-step technical printing and the unified digital ecosystems of NedGraphics and Optitex, the tools for change are here. To stay competitive, brands and manufacturers must adopt these innovations, moving away from fragmented, wasteful processes towards a truly connected, circular economy.
Friedmans stands as a testament to the power of combining traditional textile knowledge with forward-thinking innovation.
“Operating from their UK headquarters, Friedmans now serves a diverse array of sectors, including swimwear, dance, entertainment, sportswear, interior decor, prosthetics, and even pet apparel. With a strategic supply chain that reliably serves clients worldwide”
The apparel decoration industry is decisively moving away from isolated, analogue production tools toward connected digital manufacturing environments.
"Kornit’s unwavering commitment to transformative technology continues to disrupt the status quo. For business leaders and innovators ready to capture the future of apparel manufacturing, the path forward is clear”
The Urgent Need for Sustainability at Scale
The transformation at Coats provides a vital blueprint for the wider textile and apparel sector. True sustainability cannot be achieved in silos. As Dearing emphasised:
“Cross-industry collaboration is the engine of meaningful change. Brands, machinery suppliers, chemical providers, and fibre producers must act as an interconnected ecosystem”
Today’s customers demand superior product quality, real-time data visibility, and lightning-fast turnaround times.
For large-scale garment decorators, managing these expectations while balancing seasonal demand fluctuations - such as the massive surges seen during Black Friday - presents a monumental challenge.
"Relying on transactional vendor relationships and outdated legacy equipment is no longer sufficient to secure long-term stability and growth.”
Shanghai, China – October 2026 – FabricVision, a global innovator in textile production, has marked the successful completion of its first full year of operations, announcing ambitious expansion plans across both China and Europe.
The milestone was celebrated last week during China Expo in Shanghai, where the company convened with its team at Jinmao to review achievements and set strategic priorities for the year ahead.
The company's first year has been defined by rapid growth and deepening customer relationships, according to leadership.
Rapidity, a nearly 40-year-old London print and communications specialist, needed finishing equipment capable of matching the speed and complexity of its growing client roster, which includes Arsenal, Shell, and Aston Martin.
By partnering with Vivid Laminating Technologies and investing in three Veloblades, two Matrix systems, and an Easymount unit, Rapidity strengthened its production capabilities while maintaining the meticulous quality standards that have defined the business since 1986.
Klagenfurt - Austria – October 2026– Zimmer Austria, a global leader in textile printing and coating solutions, will be at IGATEX Pakistan 2026, one of the region's premier textile machinery exhibitions.
The company will exhibit its latest digital printing, screen printing, and coating technologies from 15–18 October 2026, at Hall 2, Booth F-2-09, in Karachi, Pakistan
Returning for the fifth time to Manchester’s GNCCF (Great Northern Contemporary Craft Fair) are the GREEN GRADS,** 20 of the brightest of the UK’s new wave of eco-activists who have just graduated from universities all over the country, from Falmouth to Glasgow. The Fair runs from Thursday October 15 (private view) to Sunday October 18 (closes 4pm).
GREEN GRADS in the NORTH are taking over the 46 “changing cubicles” with their distinctive framework of blue cast iron, that fringe the gallery of Pool C, in the splendid Victoria Baths, Manchester. There is also a shop, curated by Laura Wigham, GREEN GRAD of 2024, with exclusive arts and crafts by GREEN GRAD makers from previous years.
Crewe, Cheshire – October 6th 2026 – Hybrid Services Ltd, the UK and Ireland distributor for Mimaki, has announced three dedicated demo days at its Crewe showroom, giving businesses a further opportunity to see the latest Mimaki machines in action.
Running from Tuesday 13th to Thursday 15th October, the drop-in sessions follow the machines' debut at The Print Show 2026 at the NEC Birmingham and are designed for those who missed the event, or want more time to explore the technology at their own pace.
Chesterfield, UK – October 2026 – Resolute DTF, a leading provider of direct-to-film printing solutions, has concluded its participation in The Print Show, last week, with an overwhelmingly positive response from attendees.
The event gave the company an opportunity to showcase its latest innovations in DTF and UV DTF printing technology to print businesses from across the industry.
Visitors to the Resolute DTF stand were given hands-on access to the company's expanding product range, including its R-JET PRO DTF and UVi-3D UV DTF printers, alongside its portfolio of inks, films, and finishing equipment.
Capurso, Italy – October - 2026 – Agfa Inkjet Solutions today announced that Digibux Print, an Italian digital print specialist, has invested in the Jeti Bronco H3300 HS, a 3.3-metre wide-format hybrid UV LED inkjet printer.
The investment marks a significant step in Digibux Print's evolution from digital print specialist to industrial production powerhouse, as the company expands its production capabilities to meet changing customer demands.
London, UK – 25 September 2026 – Sanderson Design Group PLC (AIM: SDG), the luxury interior furnishings group, today announced a 10-year licensing agreement with Dunelm for Designers Guild, the luxury interiors brand acquired by Dunelm in April 2025.
Under the Agreement, Sanderson Design Group has been granted the sole licence to design, manufacture and sell Designers Guild wallpapers, fabrics and paint worldwide.
The Agreement grants Sanderson Design Group access to Designers Guild's extensive archive design library, alongside the opportunity to create new designs under the brand, in exchange for a royalty fee paid to Dunelm
Zoetermeer - Netherlands - October 2026 – Papergraphics has announced that its Netherlands branch is now an accredited partner for Canon printers, bringing the acclaimed GP and PRO series to Dutch customers for the first time.
The accreditation builds on Papergraphics' long-standing Canon partnership in the UK, extending the same calibre of large-format printing hardware to the Dutch market.
Neuss – Germany – October 2026 – B-FLEX Italia has announced a partnership with Epson Deutschland GmbH to showcase the future of direct-to-film printing at the Epson Production Days event in October.
The collaboration will bring B-FLEX's DTF film and hot-melt powder together with Epson's SureColor G9000 printer in live, twin-roll demonstrations designed to show how materials and machinery combine to maximise both quality and output in real production settings
Las Vegas – NV – October 2026 – Greentex, a leading supplier of sustainable textiles for apparel, home goods and sportswear, successfully concluded its participation at Printing United 2026, where the company connected with customers, partners and industry professionals to showcase its latest eco-conscious fabric solutions.
The event brought together key players across the printing and textile industries, offering Greentex the opportunity to demonstrate how sustainable materials can meet the rigorous demands of modern digital printing and textile customisation.
Attendees had the chance to see live demonstrations of Greentex's fabric offerings, including its recycled polyester and BCI cotton ranges, both designed to reduce environmental impact without compromising on performance or quality.
Birmingham – UK – October 2026 – China Print Supplies UK Ltd has concluded a successful three-day exhibition at The Sign Show, where the company showcased its latest range of printers, cutting tables, and equipment bundles to industry professionals and visitors.
Throughout the event, the China Print Supplies UK team engaged with attendees, delivered live demonstrations of its machinery, and discussed how its growing product range can help signage and print businesses stay ahead in an increasingly competitive and sustainability-conscious market.
“We were thrilled with the turnout and engagement at this year's Sign Show. Conversations with visitors reinforced the direction we're taking as a business — one that puts innovation and responsible manufacturing at the forefront," said China Print Supplies UK Ltd.
Dorking – UK – October 2026 – FESPA has announced that its 2027 edition in Munich will bring together five specialist events into a single destination, offering exhibitors an unprecedented opportunity to reach audiences spanning print, signage, merchandising, wrapping and textiles.
The consolidated event reflects the increasingly interconnected nature of the speciality print and signage industries, where brands and suppliers are seeking more efficient ways to engage with buyers across multiple disciplines.
By combining five dedicated events, FESPA 2027 will enable exhibitors to showcase their offerings to a broader and more diverse audience, all within one venue
Leicester, UK – October 2026 – De Montfort University Leicester (DMU) will open a landmark exhibition celebrating the work of fashion icon Dame Zandra Rhodes, following her decision to donate a significant part of her personal archive to the university.
Zandra Rhodes: Archive Unfolded will showcase highlights from a donation spanning six decades of Rhodes' career, from 1964 to 2025, featuring thousands of objects including licensed work, press cuttings, film, opera material and colour transparencies.
The gift follows Dame Zandra's Honorary Doctorate of the Arts from DMU in 2023, when she announced her intention to place a key part of her archive with the university's Special Collections.
London, UK – September 2026 – ARTS THREAD hosted an in-person judging event for its Global Creative Graduate Showcase at the Zaha Hadid Gallery, Barbican, bringing together industry judges to evaluate the next generation of creative talent.
The event also marked the introduction of the ARTS THREAD Vault, a new initiative set to shape how creative work is archived and accessed.
The gathering reflects ARTS THREAD's ongoing commitment to supporting emerging creatives as they transition from education into industry, while also advancing the infrastructure that underpins creative recognition and opportunity on a global scale.
SOUTH NORMANTON, UK – October 2026 – Sun Chemical has reaffirmed its commitment to sustainable innovation with the continued development of its Streamline™ aqueous ink solutions, as the graphics industry accelerates its transition towards water-based technology.
The shift comes amid rising demand for printing solutions that reduce volatile organic compound (VOC) emissions, minimise odour, and deliver vibrant, high-performance colour
Madrid, Spain – October 2026 – Roland DG, a global leader in digital printing and visual communication technology, is looking forward to its participation in C!Print Madrid 2027, taking place from 12 to 14 January 2027.
The company will present its evolving ecosystem of printing, automation, and branding solutions under its new positioning, "Make Your Mark," reflecting a shift from machine supplier to value-creation partner for brands and professionals across Europe.
Leicester, UK – October 2026 – VeriVide Limited, a leading provider of colour assessment and quality control solutions, today announced that it will take to the stage at the AATCC International Summit in Wilmington, United States, to present on the evolving landscape of colour evaluation technology.
Stephen Tongue and Chris Hipps, representing VeriVide, will deliver a session titled "Evolution of Visual and Digital Evaluation Tools for Color Assessment, Fastness Grading, and Stain Analysis."
The presentation will examine how colour evaluation practices have developed over time, exploring the enduring role of visual assessment alongside the growing adoption of digital tools for fastness grading and stain analysis.
October 1st 2026– Soyang Europe has announced the appointment of Colin Werrett as Senior Business Development Manager within its Hardware Team.
The appointment reflects Soyang's continued commitment to strengthening its expertise as the business scales to meet the evolving demands of the print and graphics industry.
Werrett brings 32 years of experience in print and graphics to the role, joining at a pivotal moment as Soyang continues to expand its Hardware division.
He will report directly to Andy Webb, Commercial Director, and will work closely with the wider Hardware Team to drive business development and support the company's growth strategy.
Mönchengladbach - Germany – October 2026 – Trützschler Card Clothing (TCC) has expanded its regional service network across Peru, Colombia and Ecuador, giving customers in the Andean region direct access to faster support, shorter lead times and local technical expertise.
The move underscores Trützschler's long-term commitment to the textile and nonwovens industries of South America, strengthening its presence in markets where quality and productivity remain top priorities
Birmingham, UK – October 1st 2026 – Vivid Laminating Technologies Ltd has announced the sale of a 3.2m Veloblade Nexus to GES – Global Experience Specialists, sealed on the final day of The Print Show at the National Exhibition Centre (NEC).
The machine will be delivered to GES's site, located less than a mile from the show, tomorrow.
The sale marks the fourth Veloblade Nexus purchased by GES, underscoring the company's continued confidence in Vivid's laminating and finishing technology as it scales its large-format print operations.
HP has launched the HP Latex R530 AI Printer, the first compact, all-in-one rigid and flexible large-format printer powered by cloud and edge AI.
Designed to transform production environments, the new printer aims to help businesses simplify operations and grow profits through intelligent automation.
The HP Latex R530 AI Printer brings together intelligence at both the printer level and across the broader workflow.
By embedding AI capabilities directly into the device and connecting it to cloud-based tools, HP says the printer is built to reduce manual decision-making and support more predictable, consistent results for print operators.
Manchester, UK – September 2026 – Source Fashion, Fashion-Enter and the Apparel and Textile Manufacturers' Forum (ATMF) have announced the launch of Made in Manchester & Regions, a new roadshow event bringing together brands, retailers and UK manufacturers to build the commercial case for localised production.
The event will take place at Manchester Hall on 4 November 2026, and is free to attend.
The first in a new programme of regional roadshows, Made in Manchester & Regions will give buyers, brands and retailers the opportunity to meet UK manufacturers, explore local production capabilities, and consider how sourcing closer to home could benefit their businesses.
Industry stakeholders will also come together to address the future of UK manufacturing and identify practical steps to strengthen the sector
Birmingham – September 2026 – Epson UK on Day Two of The Print Show, where the company is showcasing a range of print technologies, including its new SureColor V4000 UV Flatbed printer. T
he event provides a platform for Epson to demonstrate the growing capabilities of UV print alongside its established textile solutions.
Epson UK's presence at The Print Show highlights the company's continued investment in expanding its product range beyond textile printing, into high-quality UV flatbed technology.
The SureColor V4000 has been designed to deliver sharp, vibrant results across a variety of substrates, reinforcing Epson's commitment to versatility and innovation across the print industry.
Frankfurt am Main, Germany – 30 September 2026 – Heimtextil has announced that architect and designer Patricia Urquiola will once again bring her distinctive vision to the Trend Space at Heimtextil 2027, marking the third consecutive year of her collaboration with the fair.
Building on her acclaimed "Bambi" sculpture, Urquiola will unveil two new pieces created specifically for the 2027 edition, expanding her hybrid silver creature into a family of three.
The presentation forms part of the Heimtextil Trends 27/28, "Home-Maxxing – The Performance of Everyday Living", curated by Alcova, and will be on display in the Trend Space from 12 to 15 January 2027
Birmingham, UK – 29 September 2026 – Agfa Inkjet Solutions today opened three days of exhibiting at The Print Show 2026, held at the NEC Birmingham, where the company is demonstrating a complete wide-format production environment designed to boost productivity, efficiency, and application versatility for print businesses.
Visitors to Stand P510 in Hall 1 can see the Anapurna Cierva H3200 in action, seamlessly switching between rigid and roll media
Birmingham – UK – September 2026 – Hybrid Services Ltd, the official Mimaki distributor for the UK and Ireland, has today announced the launch of the new Mimaki UJF200-6042, a UV flatbed printer designed to elevate personalisation and custom printing to new levels of quality and efficiency.
The announcement was made at The Print Show 2026, where the printer is now on display at Stand P400.
Hanover, Germany – September 2026 – ColorGATE, a global provider of colour management and RIP software for digital printing, is reminding print producers of the importance of safeguarding their production environments against unexpected technical issues, device challenges, and downtime.
The company is highlighting its Value Pack programme, an annual software maintenance and support agreement designed to keep printing workflows running smoothly.
Milan, Italy – September 2026 – B-FLEX ITALIA, a global hub for garment decoration, has announced it will present its integrated DTF and thermoadhesive technology ecosystem at VISCOM Italy 2026.
The event will take place on 28 and 29 October at Allianz MiCo, with B-FLEX ITALIA exhibiting at Booth L22.
September 28th 2026 – Time is running out to secure a place at tomorrow's live presentation of the Brother GTX300, where industry experts will showcase the printer's capabilities in real time.
Registration closes shortly, offering one final opportunity for professionals to gain firsthand insight into this innovative print technology.
The session will give attendees an exclusive, behind-the-scenes look at the GTX300, exploring what sets it apart in an increasingly competitive market