SUPPORTING THE NEXT GENERATION AND NURTURING SUSTAINABLE PRODUCT DESIGN WITH GREEN GRADS
Following on from its immediate success last year, the GREEN GRADS story continues to build momentum as the team work diligently to deliver an evolving platform for innovative, sustainable product design.
“The platform is the brainchild of Barbara Chandler, a renown journalist and lifelong champion of the creative community. For many decades she has supported, encouraged and nurtured design talent.” - Debbie McKeegan FESPA Textile Ambassador
WRITTEN BY FESPA TEXTILE AMBASSADOR DEBBIE MCKEEGAN
Founded in 2021, GREEN GRADS is a not-for-profit initiative targeted at the next generation.
Following on from its immediate success last year, the GREEN GRADS story continues to build momentum as the team work diligently to deliver an evolving platform for innovative, sustainable product design. The platform is the brainchild of Barbara Chandler, a renown journalist and lifelong champion of the creative community. For many decades she has supported, encouraged and nurtured design talent.
Barbara is respected and adored by the design industry, and rightly so. I met Barbara in 2005 when she spotted my work in Birmingham, giving our company the RIBA “Best New Product” Award for our Andy Warhol fabric collection. Its worthy of note that this was the first digitally printed fabric collection to be manufactured using digital printing technology in the UK. Over the years we have worked on many projects together and it was an honour to be asked to help with the GREEN GRADS – ECO STORIES category for this year’s GG events.
Barbara explained “I set up GREEN GRADS initially in response to COVID and the cancellation of degree shows, in particular New Designers, the group show in Islington (running now for 37 years), which was cancelled two years in a row: 2020 and 2021.
My work as specialist design writer/editor had taken me to New Designers regularly over many years, and it seemed so cruel to me that two batches of graduates were being in effect marginalised. During mid-summer of 2021 lockdown had been lifted, I had been double jabbed and felt pretty confident about travelling.
So, I decided to go out and see the graduates on their home territory. The project rapidly gathered steam and I visited Plymouth, Manchester, Loughborough, Leicester, Stoke, Kingston, Brighton, and numerous shows around London, many put on by the graduates themselves.
The work was stunning – innovative, inspirational, professional and in many cases ready to go, so I decided to use my long-standing contacts to try and organise a national platform.
My original theme was #greatgrads and then I met Deborah Spencer, co-founder and director of Planted, a new design show for sustainability. She was enthusiastic, and during brainstorming, we realised the value of switching the focus to GREEN GRADS to reflect the values of her show. Like all the best ideas, once you have it, it seems obvious. I call it the double-whammy – we’re platforming new talent and supporting the environment at the same time.
The project has snowballed.
We did our initial show at the Samsung Experience Space in King’s Cross in September 2021, as part of Planted and the London Design Festival. We featured around 30 graduates On the back of that we were invited to fill a 15 metre run of stand over nine days during Grand Designs Live at ExCel in May, and then to take a film profiling our project to the Milan Furniture Fair in June. Then we did Samsung again in September this year (50 graduates), and hard on the back of that we installed a giant “bricks” mobile at GRAND DESIGNS LIVE in Birmingham made from carpet waste salvaged from the May show. Then more of less immediately we took a contingent of 20 GREEN GRADS to the Great Northern Design Fair in Manchester a few weeks ago. We’ve set up a website, and a YouTube channel.
We have a team so skeletal you can see the bones, as so far professionals involved in GREEN GRADS are taking no fees, only expenses – and to tell the truth often we don’t get even those. We are motivated by ideals, commitment, and the desire to do things in the very best way we can.
Michael Czerzinski, my co-director from the outset, does all the heavy lifting, organising the shows and seeing they run with exemplary clockwork. He has brilliant “previous,” pioneering pop-ups for designer makers, and then working for many years for The Design Museum. He is co-founder of the Illustrators Fair. He has an unlimited input of ideas and we’re a pretty powerful partnership.
It was Michael's initiative to push the GREEN GRADS to make films to fill the huge screen we have at the Samsung venue - and this venture truly lifts us into a different league from other design shows.
Which bring me to the third member of our team. We invited Debbie McKeegan to join us specifically to head up a project of mine called ECO STORIES. This evolved from a couple of textile collections we featured in GREEN GRADS 2021 where the designers were inspired by eco issues – the one by the “rewilding” of the Knepp Estate in West Sussex, and the other by the plight of endangered species.
We extended this idea and set final-year students throughout the UK the GREEN GRADS TEXTILE CHALLENGE:
To create a pattern on cloth expressing an individual concern about/commitment to the environment, whether simply to foster nature, or to promote, say, energy saving. The project has been an outstanding success and I’ll hand over to Debbie to fill in the details. Sufficient to say that she grew the idea into a marvellous maturity using her extensive experience in the textile industry, and in particular digital printing, underpinned by a passionate commitment to expanding sustainability within the textile industry. Debbie is now a treasured member of the team.
I must say a word about our sponsors, as they are fundamental to the exercise.
We were well into organising our first show when I realised (naively late) that we needed some money, not least for the Awards we wanted to build into the whole exercise. I tentatively approached some brands I’d known for decades and asked for £500 to £1,000 to back GREEN GRADS. I said that for years the UK design industry had fed off emerging talent and wasn’t it time to put something back.
I got mostly immediately responsive with many of Britain’s best loved furnishing labels now backing us for the second time one plus several more. We are spending this money not only on the Awards, but also on the running costs of our shows, buying in help, materials, transport and so on, and also providing small bursaries to graduates not yet in work.
We are not saying that all the projects and ideas we show will be commercially viable, or indeed possible right now in the ‘real world’ but they are seeds to nurture and grow, the results of in-depth research and dedicated hours in studios and workshops. Their inventors are the talent we so sorely need to help solve our eco-crises”.
GREEN GRADS is unique:
“Once a GG always a GREENGRAD”. Every designer participating is a GG forever, it’s a badge of honour, in recognition of their creative talent and passion for sustainable design. It has been a great pleasure to support this powerful project in my capacity as the FESPA textile Ambassador alongside the GREEN GRADS team. The story continues and new pop-up events and collaborations are planned for the near future.
This year’s ECO STORIES Award winners were:
Eco Stories GOLD AWARD for The Bateman Collection.
Sarah Thorley
University of Bolton
Inspired by the National Trust Victorian treasure Biddulph Grange Gardens (1840), Sarah’s richly-detailed designs exude her passion for nature, conservation, restoration, and history.
@colours_by_sarah
Sarah commented: “I’ve painted with watercolours and drawn with fine liners on recycled papers for artwork, then printed onto linen and re-upholstered vintage chairs from charity shop. My collection highlights nature and the fantastic conservation work of the National Trust.”
Eco Stories SILVER AWARD for Silken Bloom.
Rhiannon Weaver
De Montfort University
Rhiannon looked to the 1970’s hippie movement and found early eco-fashion in hemp and bamboo. Fast forward and she is using hemp linen and bamboo silk. These alternative fibres enable luxury and couture, with sustainability and zero waste at the core of her embellishments.
@rhiannoneleanortextiles
Rhiannon added: “I hope that my collection emphasises that couture and luxury textiles can still be produced, by carefully considering and researching alternative fibres and materials. This Eco Story has allowed me to experiment with new techniques, challenge my knowledge of sustainability issues, and push myself to create a collection that showcases my versatility as a textile designer”.
Eco Stories BRONZE AWARD for Home Grown.
Rebekah Longland
Birmingham City University
Starting as collaged motifs, these vibrant vegetable designs were digitally printed using eco-friendly colours and inks. They ask you to consider where your food comes from and how it is grown. Produce from gardens and allotments contrasts with industrialised production and food miles.
@rebekah.longland
Rebekah explained: “Homegrown vegetables and our connection to the planet
This is a project inspired by vegetable gardens and the idea of self-sufficiency. Expressing the pride of growing your own food and embracing nature. This collection of designs for interiors shows the vibrant, colourful, and intriguing inspiration vegetables have to offer. I created my samples using digital and sublimation printing which minimises the amount of waste produced to create my samples and the number of prosses needed to create them. Another way that this process could be made more sustainable is by using recycled polyester and mixed materials as due to this process of using sublimation polyester is the type of material need to achieve the best results”.
GREEN GRADS also supports Designers of Note and this year invited:
Daniel Embleton, Natasha Seaward and Elena Branch to join GREEN GRADS in London and Manchester to exhibit their flourishing designer brands.
GREEN GRADS wouldn’t be possible without our sponsors.
I’d like to personally thank: FESPA, EPSON, Prinfab and ImageCo for their kind efforts and generous contributions.
GREEN GRADS is collaborative not-for-profit platform for new UK graduates with ideas to heal the planet.
We do shows, films, events, social media and salons. We nurture our GREEN GRADS and help them grow. We could not happen without the willing and unstinting sponsorship of our industry partners.
Thank you to the generous brands who step up to make GREEN GRADS happen.
No arm-twisting needed.
Headline sponsor: Design Centre Chelsea Harbour @designcentrech
Amara @amaraliving
Anglepoise @anglepoise
Benchmark @madebybenchmark
Epson @epsonUK sponsoring ECO STORIES
Ercol @ercol_uk
FESPA @fespagram
Heal’s @heals_furniture
Imageco @imagecoprint
Little Red Rooster PR partner @littleredroosterhq
LSA International @lsainternational
Neptune @neptunehomeofficial
Nick Munro @nickmunrodesigner
PriestmanGoode @priestmangoode
SCP @scpltd
Thank you Prinfab for textile digital printing @prinfab
Thank you to Sabine Zetteler and Melissa Byrne for altruistic PR support
@_zetteler_ @byrnecomms
The story of what happens when young designers access digital technology is still being written.
What once was a theoretical sustainability goal seems to have shifted into an active regulatory reality.
Is the Textile Market Finally Recovering?
After a difficult few years, there are genuine reasons for optimism. Duncan was candid about the challenges: "The market for textiles has been very difficult over the last three years. I'm not going to hide the truth there. But the tide is turning.“
A profound shift is currently reshaping the sector
Changing consumer expectations demand greater design diversity, faster turnaround times, and sustainable manufacturing practices.
To thrive, interior brands must adapt their supply chains, bringing production closer to the end consumer and moving away from bulk manufacturing.
Digital textile printing offers a definitive solution to these operational bottlenecks.
Digital transformation doesn't announce itself.
It accumulates - one innovation at a time - until an entire industry looks back and realises the ground has shifted beneath its feet. That's precisely where textiles stands today.
The conversations happening now about AI, automation, sustainability, and digital product passports are not theoretical. They are shaping decisions being made on factory floors and in boardrooms right now.
“By leveraging advanced digital textile printing, Marylene Madou has successfully merged traditional craftsmanship with cutting-edge technology. Her approach offers a blueprint for how independent designers can scale their brands globally while maintaining a minimal environmental footprint.”
From Helsinki's printing mill to Paris's Le Marais, discover how Marimekko is scaling a design-led brand with purpose, craft, and bold innovation.
But what makes Marimekko's story compelling is not just its aesthetic legacy?
The textile industry is undergoing a vital transformation. As the insights from Techtextil and Texprocess reveal, the path forward relies on a combination of sustainable hardware, intelligent chemistry, and seamless digital workflows.
From Zimmer's industrial-scale energy reductions and Stratasys's on-demand 3D embellishments, to Kornit's single-step technical printing and the unified digital ecosystems of NedGraphics and Optitex, the tools for change are here. To stay competitive, brands and manufacturers must adopt these innovations, moving away from fragmented, wasteful processes towards a truly connected, circular economy.
Friedmans stands as a testament to the power of combining traditional textile knowledge with forward-thinking innovation.
“Operating from their UK headquarters, Friedmans now serves a diverse array of sectors, including swimwear, dance, entertainment, sportswear, interior decor, prosthetics, and even pet apparel. With a strategic supply chain that reliably serves clients worldwide”
The apparel decoration industry is decisively moving away from isolated, analogue production tools toward connected digital manufacturing environments.
"Kornit’s unwavering commitment to transformative technology continues to disrupt the status quo. For business leaders and innovators ready to capture the future of apparel manufacturing, the path forward is clear”
The Urgent Need for Sustainability at Scale
The transformation at Coats provides a vital blueprint for the wider textile and apparel sector. True sustainability cannot be achieved in silos. As Dearing emphasised:
“Cross-industry collaboration is the engine of meaningful change. Brands, machinery suppliers, chemical providers, and fibre producers must act as an interconnected ecosystem”
Today’s customers demand superior product quality, real-time data visibility, and lightning-fast turnaround times.
For large-scale garment decorators, managing these expectations while balancing seasonal demand fluctuations - such as the massive surges seen during Black Friday - presents a monumental challenge.
"Relying on transactional vendor relationships and outdated legacy equipment is no longer sufficient to secure long-term stability and growth.”
Printing method is never a secondary detail. It shapes the entire life cycle of a product, from concept to customer. In today’s fashion industry, where margins are tighter and speed matters more than ever, technical knowledge has become a competitive advantage.
“The future of textile design belongs to professionals who can combine creativity with execution, aesthetics with practicality, and vision with production reality”.
Are we witnessing the reinvention of Merch driven by adaptive, digital technologies?
The commercial opportunity presented by printed, personalised merchandise is already a lucrative revenue stream; it is the core driver of growth in a multi-billion-pound industry. And the mandate for print businesses is clear: automate, adapt, and offer undeniable added value, or choose to gradually lose market share.
Powderless DTF is an important area of innovation. It deserves research, investment, and thoughtful development.
“But at its current stage, it often feels like the industry is attempting to commercialize the concept ahead of the underlying chemistry and system readiness”.
All Apparel Manufacturers face an Urgent Mandate: “Automate or be Left Behind”.
Industry leaders like Super Nova Sports and Ryozo International were struggling with severe pre-press bottlenecks and unsustainable fabric waste. By integrating AI Sublimation Software into their workflows, these forward-thinking businesses eliminated manual variable data entry, boosted fabric efficiency to over 80%, and reduced delivery times by more than half, establishing a highly profitable, agile, and environmentally responsible production model.
The Future of Manufacturing belongs to those who Embrace Connected Digital Ecosystems
“Whether you produce garments, car interiors, or home furnishings, the transition from creative concept to production-ready product often remains fragmented. Design teams work tirelessly to develop compelling materials, yet technical teams struggle to interpret these visions without losing data along the way.”
The European digital wallcovering marketplace is expanding at an impressive rate.
“For print professionals and interior designers, this transition presents a distinct set of challenges. Achieving flawless colour consistency, managing complex substrates, and meeting stringent environmental standards are no longer optional extras; they are fundamental requirements for commercial success.”
If you're looking to optimize your website for AI search, hang onto your cowboy hat. It's the Wild West out there. Former (and current) SEO companies see the handwriting on the wall as more search moves from traditional SEO to AEO (answer engine optimisation). Opportunists are popping out of the woodwork.
(There are good options out there, but vet them carefully.)
A swimsuit might start life as a sketch. By the time it reaches the shop floor, dozens of hands have touched it - designers, dye houses, printers, trim manufacturers, quality controllers. Each one interprets colour in their own way, under their own conditions, with their own tools. The result is often a product that looks nothing like the original vision.
Dorking – UK – August 2026 – The FESPA Awards 2027 are set to open for entries, inviting print and signage professionals from around the world to showcase their finest work on the industry's most prestigious global stage.
With an early bird deadline of 31 August 2026 and a final entry deadline of 2 December 2026, the call is clear: the time to prepare is now
London – UK – August 2026 – Vivid Technologies has announced that its flagship product, Razar, has been shortlisted in the Manufacturing category of the prestigious Stationers' Innovation Excellence Awards 2026.
The nomination recognises Razar as a standout example of forward-thinking innovation within the manufacturing sector.
Clay Cross – August 2026 – Resolute DTF has announced it will take a prominent stand at The Print Show 2026, held at the NEC Birmingham from Tuesday, 29 September 2026.
The company will also maintain a presence at The Sign Show, which is co-locating with the event, marking a significant dual appearance for the brand at one of the UK's most anticipated print industry exhibitions
Regensburg, Germany – August 2026 – OneVision has announced the release of software version 26.2, marking a significant step forward in intelligent print automation.
The update introduces new artificial intelligence capabilities, expanded Variable Data Printing (VDP) functionality, and enhanced production monitoring tools designed to help print service providers increase efficiency and output quality.
Version 26.2 introduces a suite of AI Services that seamlessly integrate GPU-accelerated artificial intelligence into existing print production workflows.
SOUTH NORMANTON, UK – August 2026 – Sun Chemical has announced that its Xennia Sapphire pigment inks for digital textile printing have received three of the industry's most sought-after regulatory certifications: GOTS (Global Organic Textile Standard), ECO-PASSPORT, and ZDHC (Zero Discharge of Hazardous Chemicals).
The achievement positions Sun Chemical as a frontrunner in sustainable and compliant digital textile printing solutions.
London UK – July – 2026 – British digital fabric printing company Prinfab has been commissioned to produce a commemorative tea towel to celebrate the landmark birthday of iconic English fashion designer Sir Paul Smith.
Manchester – August 2026 – Premier Digital Textiles today highlights its 2555 Dimout, a versatile, dual-purpose fabric designed to bridge the worlds of fashion and interior design.
With its distinctive silver finish and subtle sheen, the fabric is positioned as a premium material for designers and makers operating across both industries.
2555 Dimout features a smooth silver surface that lends itself naturally to elegant occasionwear, flowing garments, and bold statement pieces.
Its fluid drape and refined aesthetic make it particularly well-suited to summer collections, where lightness and visual impact are equally valued.
Oswestry – Shropshire – August 2026 - Fujifilm Ink, the UK-based global supplier of UV inkjet technology, has strengthened its partnership with China Print Supplies UK Ltd (CPS), becoming the recognised ink supplier for the company's range of Dlican UV printing systems.
The partnership follows the successful rollout of Fujifilm Ink's thermoforming flexible ink technology, reinforcing the company's commitment to delivering high-performance, application-specific ink solutions for the wide-format print market.
Birmingham, UK – July 2026 – swissQprint UK is set to exhibit at The Print Show 2026, taking place from 29 September to 1 October at the NEC in Birmingham, Great Britain.
Visitors can find the swissQprint UK team at Stand P420, where they will have the opportunity to experience the company's latest flatbed printing technology firsthand.
Paris, France – August 2026 – Optitex and NedGraphics will present their integrated design and manufacturing solutions at Première Vision Paris, taking place from 1st to 3rd September 2026 at Parc des Expositions, Paris Nord Villepinte, France.
Visitors can find the companies at Booth 3L11 in Hall 3, Smart Creation Area.
The joint appearance marks a significant opportunity for textile brands and manufacturers to experience first-hand how NedGraphics and Optitex deliver a unified workflow — one that connects textile design, colour refinement, and end product development within a single, seamless process.
Emmerich am Rhein, Nordrhein-Westfalen – August 2026 – Brother Industrial EMEA has announced the launch of its GTX300, a hybrid direct-to-garment (DTG) and direct-to-film (DTF) garment printer that the company says sets a new benchmark for textile print quality.
To mark the occasion, Brother Industrial EMEA is offering eligible print professionals across the EMEA region a complimentary demo package to experience the printer's capabilities firsthand.
FREMONT, CA. August , 2026 – Fiery, a global leader in digital printing technology, has announced the launch of a new free online course designed to help print professionals master colour management for direct-to-film (DTF), direct-to-garment (DTG), and UV printing workflows.
The course, Fiery Specialty Production 301 v1: Colour Management Basics in Digital Factory, is now available on Fiery's learning platform at no cost.
Geretsried, Bavaria, August 2026 – RUDOLF, a leading textile chemistry company, has announced the launch of its Summer Campaign, a dedicated series exploring advanced finishing technologies designed to enhance the performance, comfort, and protection of swimwear and summer apparel.
The campaign arrives at a time when the demands placed on modern swimwear are greater than ever. Prolonged sun exposure, repeated contact with water, and the physical demands of summer activities require textiles that go beyond attractive design.
RUDOLF's Summer Campaign aims to demonstrate how the right finishing technologies can meet these challenges head-on.
Frankfurt, Germany – August 2026 – Heimtextil, the world's leading trade fair for home and contract textiles, has announced the launch of the Italian Lounge, a dedicated exhibition space celebrating Italian craftsmanship at its 2027 edition.
Taking place from 12 to 15 January in Frankfurt, the Italian Lounge will be located in the heart of Hall 4.1 and will bring together manufacturers of decorative and furniture fabrics, leather, and fibres and yarns under one roof
Pembrokeshire, Wales – August 2026 – National Weaving, a family-owned textile manufacturer with nearly four decades of experience, was honoured to receive a visit from HRH The Princess Royal, President of the UK Fashion & Textile Association (UKFT), at its Pembrokeshire facility.
The visit celebrated the company's longstanding contribution to British textile manufacturing and its commitment to combining traditional craftsmanship with modern, sustainable production methods.
PHILADELPHIA – July 2026 – PRINTING United Alliance, in partnership with The Foundation for Graphic Communication Education (The FGCE), continues to expand its popular Student Day experience at PRINTING United Expo 2026, taking place Thursday, September 24, at the Las Vegas Convention Center.
Designed to introduce students to the limitless career opportunities across the printing industry, this year's program will feature enhanced career development programming, expanded mentorship opportunities, and greater one-on-one engagement with industry professionals throughout the day's activities.
Dublin, Ireland – July 2026 – digitalprint.ie, Ireland's trusted supplier of wide format printing equipment and media, has completed the delivery and installation of two Epson SureColor S9100 printers to long-standing customer iGraphic, based in Newtownards.
The installation, which required careful planning and specialist logistics to position both machines on a first-floor mezzanine, marks another milestone in a valued, ongoing partnership.
Johannesburg – July – 2026 Experience the latest digital printing, vehicle wrapping and paint protection films at the FESPA Africa and Sign Africa Johannesburg Expo, where industry meets opportunity.
The event is taking place from 8-10 September 2026.
Arhus – Denmark – July 2026 – Mikkelsen Innovation ApS has announced that its FASTSEWN™ 3.3M has been named the recipient of the 2026 Pinnacle Award in the Technology category by PRINTING United Alliance.
The recognition highlights the machine's role in automating the final manual step in textile graphics production, combining automated sewing and laser cutting with keder application for silicone edge graphics (SEG).
Barbieri electronics is strengthening its leadership team as the company prepares for its next phase of development.
With Viktor Lazzeri, who has played a key leadership role within the company for many years and is well known to customers and partners as Chief Operating Officer, Barbieri has appointed him COO and Co-Managing Director, further strengthening its leadership capacity to support innovation, international growth and even closer customer relationships.
Altrincham – Cheshire – July 2026 - Friedmans Ltd and Funki Fabrics have announced the arrival of new print designs, expanding their existing collection with a fresh range of trend-led prints available across a broad selection of premium fabric bases.
The launch offers fashion designers, production teams, and creative professionals a timely opportunity to explore new possibilities for their upcoming collections.
Leicestershire - July 2026 – Vivid Laminating Technologies is pleased to announce that HG Graphics, a leading provider of building signage and vehicle wraps across Yorkshire and the UK, has invested in a fully integrated print and cutting solution combining the VelobladeNexus with the latest Onyx Graphics software.
The installation, supplied and commissioned by Vivid Laminating Technologies, sees three printers feeding directly into HG Graphics' new VelobladeNexus with auto tool change — all operating under full Onyx Graphics software integration. The solution was delivered and set up on-site as part of a complete, ready-to-run installation
Wednesday, July 29, 2026 - RENNES, France—Pointcarre, the French American textile CAD company known for its jacquard and dobby weaving software, has developed a new module dedicated to wall to wall carpet and carpet tile design.
The launch addresses a gap left when APSO, the longtime CAD platform for the tufting industry, discontinued its software more than two years ago, leaving mills and carpet designers without a clear path forward.
Accrington, UK, July 29, 2026: Soyang Europe has expanded its direct-to-film (DTF) range with the launch of a paper-based transfer media that offers an environmentally conscious alternative to conventional PET transfer film.
Named Soyang DTF Paper, the new product is a single-sided release-coated transfer paper featuring anti-static treatment and a hot-peel release.
Designed for use with digital inkjet DTF printers running water-based pigment inks, the media can be recycled through standard paper waste streams, helping print businesses reduce plastic waste.
London – July 2026 – Perfect Colours, a leader in print management solutions, has highlighted the availability of Print Factory, a unified Raster Image Processor (RIP) designed to deliver consistent, high-quality colour output across multiple printers.
The solution addresses one of the print industry's most persistent challenges: maintaining colour accuracy and consistency across different devices and workflows.
Las Vegas, NV – July 2026 – Caldera, a leading provider of print workflow software solutions, has announced its participation in PRINTING United Expo 2026, taking place 23–25 September 2026 at the Las Vegas Convention Center.
Visitors can find Caldera at Booth C1469, where the company will showcase its latest innovations in print workflow automation, colour management, and apparel decoration.
Ghent – Belgium – July 2026 – Kongsberg Precision Cutting Systems (Kongsberg PCS), a leading provider of digital cutting solutions, is calling on print, signage, and packaging businesses to embrace advanced materials as a strategic pathway to new markets, higher-value products, and more sustainable growth.
As competitive pressures intensify across the manufacturing sector, Kongsberg PCS is positioning its versatile, high-performance digital cutting solutions as essential tools for businesses looking to expand their capabilities and future-proof their operations.
The company's message is clear: businesses that invest in advanced material processing today are best placed to lead their industries tomorrow.
Bracknell – Berkshire-July 2026 – UFABRIK’s Soft Blackback Textile, a premium material engineered for tension frames, interiors, retail environments, exhibitions, soft signage, and beyond.
Designed to meet the exacting demands of modern display and signage professionals, the new textile sets a new benchmark for quality, versatility, and performance in the industry
Crewe, UK – July 2026 – Hybrid Services Ltd, the UK's leading Mimaki distributor, has announced two dedicated demonstration weeks at its Crewe showroom this August, giving businesses across the print industry the opportunity to explore the latest Mimaki technology firsthand.
Taking place from 3rd to 7th August and 17th to 21st August 2026, the August Demo Weeks are designed to help businesses make informed investment decisions by experiencing Mimaki's wide format print solutions in a hands-on, pressure-free environment.
Florida – July - 2026 – Agfa Inkjet Solutions has announced its return as a Keynote Sponsor of the 2026 Wide Format Summit, marking the sixth consecutive year the company has supported the industry's premier gathering.
The event is scheduled to take place from 27 to 29 July 2026 at the Hyatt Regency Coconut Point Resort and Spa in Bonita Springs, Florida.