INDUSTRY INSIGHT: A Measured Perspective on Powderless DTF Chemistry, Cost, and Production Reality - Dr. Madhu Kaushik
Guest Article from Dr. Madhu Kaushik - Senior Vice President and Chief Technology Officer at Vera Inkjet
Over the past five years, Direct-to-Film (DTF) has reshaped digital textile decoration in a meaningful way. It gave decorators, particularly those rooted in screen printing, a reliable digital pathway without sacrificing adhesion, wash durability, or substrate flexibility.
That success was not accidental. It came from a system that, while not elegant on paper, is remarkably effective in practice. At its simplest, the DTF workflow consists of:
Printing onto a transfer film,
Applying adhesive powder
Melting and curing
Transferring onto the substrate
It is a process built on balance between chemistry, physics, and manufacturability. And perhaps because it works so well, the industry is now actively trying to improve it. Among the most discussed directions is powderless DTF - an approach that seeks to eliminate the powdering step, either by embedding adhesive functionality into the ink system or by replacing powder with a jetted liquid adhesive. It is an appealing idea. Cleaner. More streamlined. More “advanced. But it raises a question that I believe deserves a more careful examination: Are we solving a fundamental problem - or refining something that is already working?
The Appeal of Powderless Systems
The case for powderless DTF is usually framed around two benefits: Improved safety and Process simplification.
Both are valid objectives. Any advancement that improves operator experience or reduces process friction is worth exploring. But in complex print systems, perceived simplicity can sometimes mask redistributed complexity. Removing a visible step does not always make the system simpler. It often means the burden has shifted—into chemistry, into hardware, or into process sensitivity.
On Safety: Defining the real risk.
There is a growing narrative that positions DTF powder as a safety concern. From a materials science perspective, that framing needs nuance.
Thermoplastic polyurethane (TPU) powders used in DTF, particularly those compliant with standards such as OEKO-TEX are not inherently toxic materials. The primary risk associated with them is airborne dust, not chemical hazard. That distinction matters. With enclosed powdering systems, proper extraction, and standard industrial hygiene practices, this becomes a well-managed nuisance dust scenario, not a toxicological concern. This does not mean powder handling should be overlooked. It means the problem is engineering and containment, not material hazard. So when we describe powderless systems as “safer,” it is worth asking: Safer than what—and under what conditions? Because the alternative systems often introduce reactive dispersions, crosslinking chemistries, and additional processing steps that carry their own considerations.
On Simplicity: What are we actually removing?
The idea of “one less step” is compelling. But in most powderless approaches, the adhesive function does not disappear. It is simply delivered differently often through a jetted liquid adhesive system. In practice, this means:
an additional fluid
an additional deposition mechanism
an additional drying requirement
an additional layer of process control
So, the real question is not whether we can remove powder. It is whether we can replace its function without introducing greater system complexity.
What Powder does Exceptionally Well
Powder in DTF is often underestimated because of its simplicity. Yet it solves a difficult materials problem very efficiently: it delivers a high-solids adhesive layer, quickly and uniformly, with minimal sensitivity to the underlying print. This adhesive layer is central to:
bonding strength
flexibility and elongation
wash durability
structural integrity of the transferred image
Replacing this with a liquid adhesive system is not trivial. A jettable adhesive must simultaneously:
remain stable in a printhead
deposit sufficient material to function as an adhesive layer
dry within production time constraints
avoid disturbing underlying ink layers
form a durable, flexible film after curing
Each of these is a demanding requirement. Together, they form a very narrow formulation window.
The Chemistry Constraint
From a polymer science standpoint, the key limitation is not whether an adhesive can be jetted. It is whether it can be jetted at sufficient solids loading while maintaining:
printhead reliability
film stability
image integrity
drying efficiency
To match the performance of powder, a liquid system would need to deposit a meaningful amount of adhesive mass. But increasing liquid deposition introduces:
higher drying energy requirements
longer process windows
increased interaction with the printed image
potential re-solubilization or disturbance of underlying layers
This is particularly relevant when adhesive is applied over color and white layers, where fluid interaction can impact resolution, edge sharpness, and color stability.
The Hardware and Cost Reality:
This is where the discussion becomes more practical and, in many cases, more decisive. A conventional DTF setup relies on a shaker and baker system. While not sophisticated, it is:
relatively low-cost
mechanically robust
straightforward to maintain
Replacing this with a printhead-driven adhesive system introduces a very different cost structure. We now have:
additional printheads to purchase and maintain
increased sensitivity to fluid stability and nozzle health
higher downtime risk
more complex servicing requirements
Printheads are not passive components. They are precision devices, expensive to replace and sensitive to operating conditions. From a total cost of ownership perspective, this is not a small shift.
In parallel, the adhesive chemistry itself becomes more expensive. A jettable polyurethane dispersion (PUD) requires: tight particle size control, filtration to protect nozzles, stabilizers for jetting reliability, formulation constraints that limit solids content. All of this adds cost.
In contrast, TPU powders: are less constrained by particle size uniformity at the same level of precision, do not require jetting stability, can be produced and handled more economically at scale.
So, while powderless DTF may appear operationally streamlined, it often introduces higher material cost and higher equipment cost simultaneously. This is an important consideration for any production environment operating on margin discipline.
Observed Performance Challenges:
Across early systems and evaluations, several recurring challenges are emerging:
Adhesion and flexibility trade-offs
Reduced or inconsistent wash durability
Less predictable transfer behavior
Impact on image quality and resolution
None of these are insurmountable. But they do suggest that the technology is still evolving toward production maturity. In discussions with polymer chemists working in this space, there is a consistent view:
A meaningful step forward will likely require a deeper innovation in polyurethane chemistry itself. Not just process reconfiguration.
Reframing the Objective:
At this point, it may be useful to step back and ask a simpler question: What are we trying to improve?
If the concern is dust, then engineering controls and enclosure systems are already effective. If the concern is workflow, then we must evaluate whether the alternative is truly simpler or just differently complex.
If the goal is powder-free decoration, then we already have a mature solution in DTG printing. DTG is not a replacement for DTF in all applications. But it is a reminder that powder-free systems already exist where they make sense. So, the real challenge is not eliminating powder at all costs. It is preserving what made DTF successful while improving the areas that genuinely need refinement.
A Measured Conclusion
Powderless DTF is an important area of innovation. It deserves research, investment, and thoughtful development. But at its current stage, it often feels like the industry is attempting to commercialize the concept ahead of the underlying chemistry and system readiness. As it stands today, powderless DTF frequently replaces a simple, robust mechanical step with a more complex, cost-intensive, and chemically constrained system. That is not necessarily progress. It is simply a different set of trade-offs. And until those trade-offs clearly favor performance, reliability, and cost not just perception, it is reasonable to remain cautious.
Final thought: Innovation in printing has always been at its best when it balances ambition with production reality. Powderless DTF may well become part of the industry’s future. But it should arrive there because it delivers equal or better performance, at equal or better reliability, and at a justifiable cost. Until then, perhaps the more useful question is not:
Until then, perhaps the more useful question is not:
“How do we remove the powder?” But rather: “Are we improving the system or just changing where the complexity lives?”
That distinction will define what truly lasts!!
Colour Is Too Important to Leave to Chance
Print will always be the part of the garment people see first.
But the sum of all parts — the fabric, the trims, the fasteners, the finish — is what determines whether a design actually delivers on its promise. Brands that continue to treat colour as a single creative decision, rather than a coordinated technical discipline spanning their entire supply chain, will keep paying for it in re-dips, delays, and disappointed design teams.
A Century of Textiles, and an Ever-changing World
Few companies can trace their roots back more than a century and still count themselves among their industry's innovators. Texia, headquartered in Monistrol de Montserrat, Spain, is one of them.
But the story of Texia is not simply one of longevity.
It is a story of continual reinvention. As the textile industry has grown more global and competitive, Texia has repeatedly reshaped its business, investing in technology, developing its own brands, and placing sustainability at the centre of its mission. In doing so, it offers a compelling example of how a heritage manufacturer can lead rather than follow through a period of profound industry change. Image Credit: Texia
What are we craving Ultimately?
The instinct to slow down while simultaneously optimising every measurable aspect of life isn't a passing curiosity. It's a structural response to a world that feels increasingly unstable, and it's reshaping what people expect from their homes, hotels, workplaces and healthcare environments alike.
For the design and manufacturing sectors, this means rethinking both product and process.
The Structual Shift is Real and its Already Here
Volumes are moving east, where digital production is accelerating rapidly. Consumer behaviour has shifted.
Demand is now driven by personalisation, shorter buying cycles, and an expectation of near-instant responsiveness. Regulatory pressure is intensifying, with supply chain transparency now a legal and commercial fact in many markets. And margins? They are under sustained, structural pressure.
This is not a temporary disruption. It is a fundamental reordering of how textile manufacturing must operate.
The Challenge: Standing Firm as the Industry Shifts
The wallpaper landscape has changed dramatically. Digital printing has lowered the barrier to entry, spawning countless direct-to-consumer brands and pushing much of the market towards faster, cheaper production.
At the same time, manufacturing in the UK has grown steadily harder - rising minimum wage, national insurance, energy and substrate costs all bear down on margins. Surface Print have embraced all of these challenges - and stand resolutely prepared for the future.
From Helsinki's printing mill to Paris's Le Marais, discover how Marimekko is scaling a design-led brand with purpose, craft, and bold innovation.
But what makes Marimekko's story compelling is not just its aesthetic legacy?
The word "toxic" carries weight. It conjures danger, harm, and things best avoided.
“Yet in the textile industry - Where between 3,000 and 10,000 chemicals move through the supply chain, a reflexive fear of the term is one of our biggest obstacles to progress.”
This article distils the key takeaways and what buyers, designers, and brands should be asking right now.
What Is the Digital Product Passport?
At its core, a Digital Product Passport is a digital record attached to a physical product - For a printed textile product, this means the DPP would capture data on the substrate, inks and dyes used, the printing process and technology, chemical compliance, environmental impact (including water and energy use), supply chain traceability, and end-of-life instructions.
The Market Gap that Changed Everything
Future Fashion was founded in 2019, timed deliberately to coincide with a pivotal moment in global textile technology: the commercial launch of the EFI Reggiani BOLT Single-Pass digital printing system.
The founders recognised that single-pass architecture had fundamentally changed what was industrially possible - and that Pakistan's domestic market had yet to catch up.
Print is no longer defined by the inefficiencies that once characterised it…as advances in production processes and technology have significantly improved its environmental performance.
Taran Rai, Corporate Sustainability Manager at Epson explains why?
The story of what happens when young designers access digital technology is still being written.
What once was a theoretical sustainability goal seems to have shifted into an active regulatory reality.
Is the Textile Market Finally Recovering?
After a difficult few years, there are genuine reasons for optimism. Duncan was candid about the challenges: "The market for textiles has been very difficult over the last three years. I'm not going to hide the truth there. But the tide is turning.“
A profound shift is currently reshaping the sector
Changing consumer expectations demand greater design diversity, faster turnaround times, and sustainable manufacturing practices.
To thrive, interior brands must adapt their supply chains, bringing production closer to the end consumer and moving away from bulk manufacturing.
Digital textile printing offers a definitive solution to these operational bottlenecks.
Digital transformation doesn't announce itself.
It accumulates - one innovation at a time - until an entire industry looks back and realises the ground has shifted beneath its feet. That's precisely where textiles stands today.
The conversations happening now about AI, automation, sustainability, and digital product passports are not theoretical. They are shaping decisions being made on factory floors and in boardrooms right now.
“By leveraging advanced digital textile printing, Marylene Madou has successfully merged traditional craftsmanship with cutting-edge technology. Her approach offers a blueprint for how independent designers can scale their brands globally while maintaining a minimal environmental footprint.”
The textile industry is undergoing a vital transformation. As the insights from Techtextil and Texprocess reveal, the path forward relies on a combination of sustainable hardware, intelligent chemistry, and seamless digital workflows.
From Zimmer's industrial-scale energy reductions and Stratasys's on-demand 3D embellishments, to Kornit's single-step technical printing and the unified digital ecosystems of NedGraphics and Optitex, the tools for change are here. To stay competitive, brands and manufacturers must adopt these innovations, moving away from fragmented, wasteful processes towards a truly connected, circular economy.
Friedmans stands as a testament to the power of combining traditional textile knowledge with forward-thinking innovation.
“Operating from their UK headquarters, Friedmans now serves a diverse array of sectors, including swimwear, dance, entertainment, sportswear, interior decor, prosthetics, and even pet apparel. With a strategic supply chain that reliably serves clients worldwide”
The apparel decoration industry is decisively moving away from isolated, analogue production tools toward connected digital manufacturing environments.
"Kornit’s unwavering commitment to transformative technology continues to disrupt the status quo. For business leaders and innovators ready to capture the future of apparel manufacturing, the path forward is clear”
The Urgent Need for Sustainability at Scale
The transformation at Coats provides a vital blueprint for the wider textile and apparel sector. True sustainability cannot be achieved in silos. As Dearing emphasised:
“Cross-industry collaboration is the engine of meaningful change. Brands, machinery suppliers, chemical providers, and fibre producers must act as an interconnected ecosystem”
Today’s customers demand superior product quality, real-time data visibility, and lightning-fast turnaround times.
For large-scale garment decorators, managing these expectations while balancing seasonal demand fluctuations - such as the massive surges seen during Black Friday - presents a monumental challenge.
"Relying on transactional vendor relationships and outdated legacy equipment is no longer sufficient to secure long-term stability and growth.”
Printing method is never a secondary detail. It shapes the entire life cycle of a product, from concept to customer. In today’s fashion industry, where margins are tighter and speed matters more than ever, technical knowledge has become a competitive advantage.
“The future of textile design belongs to professionals who can combine creativity with execution, aesthetics with practicality, and vision with production reality”.
Leicester, UK – October 2026 – De Montfort University Leicester (DMU) will open a landmark exhibition celebrating the work of fashion icon Dame Zandra Rhodes, following her decision to donate a significant part of her personal archive to the university.
Zandra Rhodes: Archive Unfolded will showcase highlights from a donation spanning six decades of Rhodes' career, from 1964 to 2025, featuring thousands of objects including licensed work, press cuttings, film, opera material and colour transparencies.
The gift follows Dame Zandra's Honorary Doctorate of the Arts from DMU in 2023, when she announced her intention to place a key part of her archive with the university's Special Collections.
London, UK – September 2026 – ARTS THREAD hosted an in-person judging event for its Global Creative Graduate Showcase at the Zaha Hadid Gallery, Barbican, bringing together industry judges to evaluate the next generation of creative talent.
The event also marked the introduction of the ARTS THREAD Vault, a new initiative set to shape how creative work is archived and accessed.
The gathering reflects ARTS THREAD's ongoing commitment to supporting emerging creatives as they transition from education into industry, while also advancing the infrastructure that underpins creative recognition and opportunity on a global scale.
SOUTH NORMANTON, UK – October 2026 – Sun Chemical has reaffirmed its commitment to sustainable innovation with the continued development of its Streamline™ aqueous ink solutions, as the graphics industry accelerates its transition towards water-based technology.
The shift comes amid rising demand for printing solutions that reduce volatile organic compound (VOC) emissions, minimise odour, and deliver vibrant, high-performance colour
Madrid, Spain – October 2026 – Roland DG, a global leader in digital printing and visual communication technology, is looking forward to its participation in C!Print Madrid 2027, taking place from 12 to 14 January 2027.
The company will present its evolving ecosystem of printing, automation, and branding solutions under its new positioning, "Make Your Mark," reflecting a shift from machine supplier to value-creation partner for brands and professionals across Europe.
Leicester, UK – October 2026 – VeriVide Limited, a leading provider of colour assessment and quality control solutions, today announced that it will take to the stage at the AATCC International Summit in Wilmington, United States, to present on the evolving landscape of colour evaluation technology.
Stephen Tongue and Chris Hipps, representing VeriVide, will deliver a session titled "Evolution of Visual and Digital Evaluation Tools for Color Assessment, Fastness Grading, and Stain Analysis."
The presentation will examine how colour evaluation practices have developed over time, exploring the enduring role of visual assessment alongside the growing adoption of digital tools for fastness grading and stain analysis.
October 1st 2026– Soyang Europe has announced the appointment of Colin Werrett as Senior Business Development Manager within its Hardware Team.
The appointment reflects Soyang's continued commitment to strengthening its expertise as the business scales to meet the evolving demands of the print and graphics industry.
Werrett brings 32 years of experience in print and graphics to the role, joining at a pivotal moment as Soyang continues to expand its Hardware division.
He will report directly to Andy Webb, Commercial Director, and will work closely with the wider Hardware Team to drive business development and support the company's growth strategy.
Mönchengladbach - Germany – October 2026 – Trützschler Card Clothing (TCC) has expanded its regional service network across Peru, Colombia and Ecuador, giving customers in the Andean region direct access to faster support, shorter lead times and local technical expertise.
The move underscores Trützschler's long-term commitment to the textile and nonwovens industries of South America, strengthening its presence in markets where quality and productivity remain top priorities
Birmingham, UK – October 1st 2026 – Vivid Laminating Technologies Ltd has announced the sale of a 3.2m Veloblade Nexus to GES – Global Experience Specialists, sealed on the final day of The Print Show at the National Exhibition Centre (NEC).
The machine will be delivered to GES's site, located less than a mile from the show, tomorrow.
The sale marks the fourth Veloblade Nexus purchased by GES, underscoring the company's continued confidence in Vivid's laminating and finishing technology as it scales its large-format print operations.
HP has launched the HP Latex R530 AI Printer, the first compact, all-in-one rigid and flexible large-format printer powered by cloud and edge AI.
Designed to transform production environments, the new printer aims to help businesses simplify operations and grow profits through intelligent automation.
The HP Latex R530 AI Printer brings together intelligence at both the printer level and across the broader workflow.
By embedding AI capabilities directly into the device and connecting it to cloud-based tools, HP says the printer is built to reduce manual decision-making and support more predictable, consistent results for print operators.
Manchester, UK – September 2026 – Source Fashion, Fashion-Enter and the Apparel and Textile Manufacturers' Forum (ATMF) have announced the launch of Made in Manchester & Regions, a new roadshow event bringing together brands, retailers and UK manufacturers to build the commercial case for localised production.
The event will take place at Manchester Hall on 4 November 2026, and is free to attend.
The first in a new programme of regional roadshows, Made in Manchester & Regions will give buyers, brands and retailers the opportunity to meet UK manufacturers, explore local production capabilities, and consider how sourcing closer to home could benefit their businesses.
Industry stakeholders will also come together to address the future of UK manufacturing and identify practical steps to strengthen the sector
Birmingham – September 2026 – Epson UK on Day Two of The Print Show, where the company is showcasing a range of print technologies, including its new SureColor V4000 UV Flatbed printer. T
he event provides a platform for Epson to demonstrate the growing capabilities of UV print alongside its established textile solutions.
Epson UK's presence at The Print Show highlights the company's continued investment in expanding its product range beyond textile printing, into high-quality UV flatbed technology.
The SureColor V4000 has been designed to deliver sharp, vibrant results across a variety of substrates, reinforcing Epson's commitment to versatility and innovation across the print industry.
Frankfurt am Main, Germany – 30 September 2026 – Heimtextil has announced that architect and designer Patricia Urquiola will once again bring her distinctive vision to the Trend Space at Heimtextil 2027, marking the third consecutive year of her collaboration with the fair.
Building on her acclaimed "Bambi" sculpture, Urquiola will unveil two new pieces created specifically for the 2027 edition, expanding her hybrid silver creature into a family of three.
The presentation forms part of the Heimtextil Trends 27/28, "Home-Maxxing – The Performance of Everyday Living", curated by Alcova, and will be on display in the Trend Space from 12 to 15 January 2027
Birmingham, UK – 29 September 2026 – Agfa Inkjet Solutions today opened three days of exhibiting at The Print Show 2026, held at the NEC Birmingham, where the company is demonstrating a complete wide-format production environment designed to boost productivity, efficiency, and application versatility for print businesses.
Visitors to Stand P510 in Hall 1 can see the Anapurna Cierva H3200 in action, seamlessly switching between rigid and roll media
Birmingham – UK – September 2026 – Hybrid Services Ltd, the official Mimaki distributor for the UK and Ireland, has today announced the launch of the new Mimaki UJF200-6042, a UV flatbed printer designed to elevate personalisation and custom printing to new levels of quality and efficiency.
The announcement was made at The Print Show 2026, where the printer is now on display at Stand P400.
Hanover, Germany – September 2026 – ColorGATE, a global provider of colour management and RIP software for digital printing, is reminding print producers of the importance of safeguarding their production environments against unexpected technical issues, device challenges, and downtime.
The company is highlighting its Value Pack programme, an annual software maintenance and support agreement designed to keep printing workflows running smoothly.
Milan, Italy – September 2026 – B-FLEX ITALIA, a global hub for garment decoration, has announced it will present its integrated DTF and thermoadhesive technology ecosystem at VISCOM Italy 2026.
The event will take place on 28 and 29 October at Allianz MiCo, with B-FLEX ITALIA exhibiting at Booth L22.
September 28th 2026 – Time is running out to secure a place at tomorrow's live presentation of the Brother GTX300, where industry experts will showcase the printer's capabilities in real time.
Registration closes shortly, offering one final opportunity for professionals to gain firsthand insight into this innovative print technology.
The session will give attendees an exclusive, behind-the-scenes look at the GTX300, exploring what sets it apart in an increasingly competitive market
Birmingham – UK – September 2026 – Douglas Stewart EDU will showcase CorelDRAW Graphics Suite at The Print Show this year, bringing print professionals face-to-face with design technology aimed at improving efficiency and reducing waste across production workflows.
The move comes as new research from CorelDRAW, conducted in partnership with NAPCO Research, reveals the growing role graphic design software plays in the print industry.
The survey of 200 print professionals found that 83% had seen increased efficiency in prepress as a result of using design software, while 59% had specifically invested in upgraded solutions to improve production efficiency.
Birmingham – September 2026 – Nova Chrome UK Limited will showcase the brand new Epson SC-F300 A3 Dye Sublimation Printer at The Print Show next week, giving visitors a first-hand look at the future of dedicated sublimation printing.
The demonstration will take place on stand P240 throughout the event.
As the print industry continues to evolve, Nova Chrome remains committed to bringing forward the technologies that will define its next chapter.
Birmingham – September 2026 – China Print Supplies UK Ltd has announced the completion of its largest exhibition stand to date, marking a significant milestone in the company's presence at The Sign Show.
The build, which took place over two days, reflects the company's continued investment in showcasing its full range of products and capabilities to the sign and print industry.
The scale of the stand underscores China Print Supplies UK Ltd's ambition to strengthen its position as a leading force within the sector.
Dublin, Ireland – September 2026 – digitalprint.ie, Ireland's trusted supplier of digital printing equipment and media, has been recognised by Epson as its No. 1 ProSignage partner in Europe for sales of the manufacturer's Eco-Solvent printer range.
The accolade marks a significant achievement for the Irish company, which has outperformed larger European markets to claim the top spot.
The recognition was presented to John Noonan, Colm McCarthy and the wider digitalprint.ie team, alongside Rob Weisenberger, Epson's Sales Manager for Commercial & Industrial, in celebration of the milestone.
London, UK – September 2026 – Decorex, the UK's leading platform for luxury interior design, today announced that registration is now open for its 2026 edition, taking place at Olympia, London this October.
With less than a fortnight until doors open, the event will once again bring together the materials, makers and ideas shaping the future of high-end interiors.
Ludwigshafen, Germany – September 2026 – BASF has announced the launch of a new portfolio of paper coating dispersions with a reduced Product Carbon Footprint (rPCF), offering customers a practical and cost-effective route to lowering emissions.
Paper coating binders produced at BASF's Ludwigshafen Verbund site are now available with Product Carbon Footprints approximately 20% to 45% lower than their corresponding conventional products.
The new rPCF dispersions apply several levers, including the use of low-PCF raw materials, and are designed to help customers reduce emissions within the "Purchased Goods and Services" category as they work towards their Scope 3.1 carbon reduction targets
Clay Cross – September 2026 – Resolute DTF has confirmed it will unveil its latest range of digital cutting solutions at The Print Show 2026, held at the NEC Birmingham from 29 September to 1 October.
The announcement reflects the company's continued commitment to advancing production efficiency across the DTF, vinyl, UV DTF transfer and label sectors.
Visitors to Stand P610 will be given a first-hand look at three cutting systems designed to address the industry's growing demand for accuracy, flexibility and streamlined workflows.
Mortsel, Belgium and Londonderry, N.H. – 28 September 2026, 7.45 a.m. CET – Electronics for Imaging, Inc. ("EFI"), a leading industrial inkjet business and portfolio company of Siris, and Agfa-Gevaert ("Agfa") today announced a definitive agreement to combine Agfa's Digital Printing Solutions business ("Agfa DPS") with EFI.
An affiliate of Siris will hold a 60% interest and Agfa will hold a 40% interest in the newly formed company, with Siris and Agfa acting as equal partners under the combined governance structure.
The agreement builds on the global partnership EFI and Agfa established in 2024, which enabled both companies to expand their product offerings through access to complementary technologies.
Leicestershire – September 2026– Vivid Laminating Technologies Ltd, a leading provider of laminating and print finishing systems, has announced its participation in The Print Show, where it will unveil its latest technologies to industry professionals.
The company will be located at Hall 1, Stand P460, welcoming both new and existing customers to experience its systems firsthand.
As exhibition preparations reach their final stages, Vivid is preparing to demonstrate its commitment to innovation and quality in the print finishing sector.
Las Vegas, NV – 25 September 2026 – PRINTING United Expo 2026, produced annually by PRINTING United Alliance, the most comprehensive member-based printing and graphic arts association in North America, concluded today following three dynamic days at the Las Vegas Convention Center.
Preliminary results point to another highly successful gathering of the global printing community, with 27,000 registered attendees from 100 countries and more than 850 exhibitors spanning approximately one million square feet of show floor space. PRINTING United Expo will return next year in Las Vegas from 14-16 September 2027.
London, UK – Septembder 2026 – The UK Fashion & Textile Association (UKFT) has launched the latest edition of its Discover British Brands map, showcasing more than 100 British brands exhibiting across Paris Women's Fashion Week and the SS27 pre-collections from 28 September to 6 October 2026.
The initiative continues UKFT's commitment to strengthening the international standing of UK fashion businesses, giving global buyers and press a clear route into the depth and diversity of British design.
Birmingham, UK – September 2026 – China Print Supplies UK Ltd (CPS UK) has announced its participation in The Sign Show 2026, where the company will present one of its largest-ever line-ups of print and finishing equipment.
The event will take place from 29 September to 1 October 2026 at the NEC Birmingham, with CPS UK exhibiting at stands S220 and S420.
Accrington, UK, September , 2026: Soyang Europe will showcase three core products from the Platinum Technologies LIYU range on its stand at The Sign Show 2026.
Following its debut in 2025, The Sign Show will return to NEC Birmingham this autumn, once again co-located with established print industry exhibition The Print Show.
This year, the two events will run from 29 September to 1 October, with thousands of visitors expected across the shows.
Soyang, which exhibited at several previous editions of The Print Show, will take the largest stand in The Sign Show section of the hall, with a focus on its new distribution partnership with Platinum Technologies LIYU