Meet Yunru Kuang From Sichuan As She Discovers The Structure Of Fashion Garments
Im Yunru a graduate from the Sichuan fine art institute.
I look forward to discovering more fashion possibilities and playability.
There are many discussions about the existence of clothing.
I combine the structure of clothing with magnets to form a new form of clothing existence.
And invited friends to participate in my exhibition, which provided more inspiration for my final product. Of course, how to better summarize the existing materials is also where i need to learn further.
I Use Innovative Materials And Connections To Create Interesting Clothing.
Instead of cutting and sewing traditional garments, the structure of the garment has been redefined by using the construction of building blocks.
The joining of these building blocks is even more innovative as the heat of the soldering iron melts the material and bonds it to itself.
This combination of structures opens up many more possibilities for the language of clothing and is my own answer when I think about the definition of clothing.
BRAIN IN A VAT Is Intended To Discuss Questions To Which There Will Be No Standard Answers.
What reality is real if we are just naked brains connected to wires? What is the definition of "clothing" attached to the human body?
After countless questions have been derived from a question about existence, the answer becomes dispensable.
By substituting the question into the garment, it is possible to derive the question,
"What form can be called a garment?
What structures are required?"
So to answer these questions, I deconstructed a common everyday checked shirt by removing the collar, cuffs and placket, and can the rest of it still be called a shirt?
What if the structure of the prize grid is disrupted?
There are no standard answers to these questions, but what is important is the way I think about the definitions during the experiment.
About Sichuan Fine Art Institute
Sichuan Fine Arts Institute has a history in the creation of art and research.[citation needed] Artwork has been created by the teachers at SFAI.
In the 1950s and 1960s, the institute was symbolized by handcraft arts. In the 1970s, it was sculpture, especially the most famous group statues, the “Rent Collecting Courtyard”. In the 1980s, it was oil painting, such as SFAI's president Luo Zhongli’s masterpiece "My Father”, etc.
The institute enjoys prestige domestically and internationally.
The artwork has contributed to contemporary Chinese art.
Since the 1990s, many teachers and students have gained national and international awards.
They also won opportunities to exhibit internationally.
At present, SFAI has been establishing cultural exchange relations with more and more foreign art institutes, delegations, and artists, dispatching students to study abroad and receiving foreign students to study at SFAI, which result in promoting international art exchanges and development.
These outstanding artists make contributions to the development of fine arts in China.
The traditional campus was in the district of Jiulongpo, in Chongqing.
The new campus was built in Huxi District, Chongqing, in 2005.
The university's philosophy is "close to life, to serve the people; knowledge as equally important, new incentives; open-minded and keeping up with the times".
The overall development objective is to provide the highest level of art education in the western region of China.
