“In a global sportswear market that is projected to grow from $193.89 billion in 2023 to $305.67 billion by 2030 (Research & Markets), and to reach US$ 4,75,689.7 million by 2034 (Future Market Insights). Sports apparel decoration has an embedded share of the sector, and with the many technological advances, the future is indeed a bright prospect for all concerned.” FESPA Textile Ambassador”.

“The company manufactures all of its products in house, in doing so they have accurate control of their processes internally, all of which ensures that they can address the challenges of colour management and product quality. They truly offer an impressive, end-to-end manufacturing facility and as such remain centred to offer a solution that differentiates them from their competitors.” FESPA Textile Ambassador”.

“Collaborating with brands positioned at the high end of the market requires exceptional service, guaranteeing the highest quality and innovation without compromise. Recently, the company chose to rely on Epson’s digital textile printing technology to continue to guarantee high quality and extreme flexibility for its customers.” ISA SETA S.P.A Case study for EPSON ITALIA

“As you think about the characteristics of your wardrobe, integrated technology will increasingly become a deciding factor as to what you buy and wear, expanding the capabilities of apparel to meet needs perhaps you didn’t even know you had!.” - Writes Cary Sherburne - WhatTheyThink

“If your operational strategy isn’t built with peak periods in mind, you may be frantically working overtime at the last minute to meet demand—a predictable yet hellish “crunch time” leaving you especially vulnerable should something go wrong (such as technology malfunctions, supply chain disruptions, natural disasters, or other unforeseen possibilities) ”. Guest Article - Chris Govier of Kornit Digital

“The 2023 GREEN GRADS Epson Textile Challenge scoured Art Schools across the country to find the graduates best expressing their environmental concerns and/or love of the natural world through the medium of pattern on cloth - and at the same time taking into consideration eco-friendly textiles, dyes, and methods of production.” FESPA Textile Ambassador”.

“This is not functional apparel, its disruptive and offers the apparel industry and manufacturing community an exciting opportunity. Direct -to-Textile 3D empowers the creator economy, and it unleashed new commercial opportunities for customisation and personalisation.” Debbie McKeegan for PIXEL to PARCEL

“In November 2023, we were invited to visit the new site, where machines are built, tested and demonstrated in a state-of-the-art building (twice the size of the previous demo centre) that hosts the full suite of EFI Reggiani digital textile printing machinery, where the Vogue, Power, Blade, Colors, Hyper, ecoTERRA and the new Bolt XS machinery are all on display, side by side, in a vast, 3,000-square-metre demonstration centre.” FESPA Textile Ambassador”.

“We are very proud to be able to organise the 3rd edition of this fantastic inspiring event. This edition we work even more closely with our partners. We use Epson sublimation print technology, Jetcol Sublimation transfer paper from Coldenhove, recycled PET 7 dead stock textiles from Greentex Fast and Klieverik calenders to create the most vibrant colours in the designs. I can’t wait till March 2024!” commented Jaco van Vuure.

“Print runs are shrinking. Customers expect greater variety – more materials, more colours, graphic detail, personalization, quick turnaround, and responsible business practices. Pandemics, inflation, supply chain disruptions, labour shortages, and other market dynamics demand agility and flexibility to stay profitable. E-commerce is king, and analogue production means you’re leaving money on the table. ” Guest Article written by Kornit Digital

“Not only is the printing process more straightforward and requires less hands-on work, but sublimation for textile is also a more sustainable printing solution. The more sustainable aspect is mainly in the fact that steaming and washing is no longer necessary. This is because a sublimation printer first prints on transfer paper, which is then transferred to textiles. This paper for sublimation printing is an essential factor. ” Guest Article wrriten by: Anne de Brouwer

“From design through production to sales and marketing AI & ML are playing an increasingly influential role in our futures, as the benefits are leveraged to enable hyper accurate planning and control. Looking forward, this role will only increase as the software and sensors develop, allowing greater integration of AI & ML into the broad spectrum of textiles and printed production.” FESPA Textile Ambassador”.

“When we write about sustainability in textiles, we are often talking about the manufacturing processes. But for true sustainability, we need to go back a step further to understand where the feed stocks are coming from. As with most things sustainable, progress, albeit slow from a global perspective, is being made, with more attention being turned to more sustainable processes in agriculture.” - Writes Cary Sherburne - WhatTheyThink

“It takes a highly organised, multi-disciplined supply chain to manufacture apparel for retail in a sustainable format. When we add in on-demand manufacturing the pressure intensifies. With literally thousands of global touchpoints to navigate for each product, it’s a landscape that remains burdened with waste and excess. In contrast - On-demand manufacturing technology offers new hope for the future of sustainable fashion entwined with a positive impact for the environment, and significant commercial gains for the fashion industry. Working together designers, suppliers and manufacturers can make a significant change, both creatively and commercially, steering the industry to a viable future.” Debbie McKeegan for PIXEL to PARCEL

“Unless you've been seriously napping on trends, you would have seen the headlines and discussions on AI and what it means for the human race. I don't exaggerate when I say we are about to enter a new paradigm and it starts now. ” Cheryl O’Meara PRINT PATTERN ARCHIVE

“Imagine a world where digital designs from games transition seamlessly into on-demand, real-world fashion items. Waste is minimised, intermediaries are bypassed, and fashion becomes genuinely customer-centric. This vision departs from conventional fashion practices, where brands dictate trends. Republiqe and PhygitalTwin are at the forefront of turning this vision into a tangible reality, one digital thread at a time.”

“Whether it’s for-profit or not-for-profit, these are two examples that prove that secondhand chic is one of the paths out of the massive waste associated with today’s apparel industry. Every little bit helps. But even more importantly, perhaps initiatives like these will help push brands and retailers to be more responsible with their business models.…” - Writes Cary Sherburne - WhatTheyThink

“This year’s the ECO STORIES, Epson Design Challenge, for pattern/cloths that nurture the environment was won by the talented graduate Becky Brentnall and her “The Garden That Inspired” printed textile collection -“My work celebrates and promotes nature on a large scale, and I want it to enrich home and business interiors.” Becky commented ”

“Print Logistic are Pioneering a whole new landscape for the manufacture of sewn textiles, their business model is adaptive and primed to revolutionise the manufacture and sale of apparel garments and décor products, both online and offline. Michal added “We offer a full end-to-end service. From receiving the order, we are preparing for production, printing, cutting, stitching, quality control, packaging, and dispatch direct to the consumer, retail store or warehouse”. Print Logistic

“This culture shift is taking place across almost all creative industries – from music to art. Consumers get what they want, when they want it. Unfortunately, the one industry that has yet to catch up is fashion and apparel. That’s due to an analog supply chain built for the old way of production”. Guest Article - Chris Govier of Kornit Digital