“Print businesses must address the requirements of an increasingly eco-aware consumer base and Fespa - Amsterdam didn’t disappoint as a destination for print innovation and ground-breaking industry insight. The convergence of sustainability with cutting-edge technology illustrates the industry's forward-thinking approach, ensuring that the future of print is not just innovative but also responsible.“.

“As we enter this new industrial revolution, it's crucial to explore how Industry 5.0 is set to transform the fashion industry, reshaping everything from design and production processes to consumer engagement and sustainability practices. This article delves into the heart of Industry 5.0, tracing its roots from previous industrial revolutions to its current incarnation, and examines its transformative impact on the fashion world.

“ Lui Larocheski

“One of the most compelling advantages of Print Logistics’ business model is the unparalleled design flexibility it offers. Clients can effortlessly update or customize their designs, adapting swiftly to shifting consumer preferences and market trends without the burden of leftover stock. Additionally, this model substantially shortens the time-to-market, freeing businesses from the constraints of minimum order quantities and enabling rapid delivery of orders.” Print Logistic

“London Design Week 2024, held at the iconic Chelsea Harbour, is a staple in the design calendar for all creatives and professionals involved within the interior industry. Filled with innovative, fresh ideas for textiles, wallcoverings, lighting and flooring, furniture and beyond - Chelsea, never fails to inspire and to showcase and highlight the innovative creativity of the UK’s Interior furnishings industry - and their growing demand for environmental best practice”.

“As we progress towards more sustainable practices, Thomas urges industry players to make informed decisions—learn about what they buy, understand customer preferences, and choose sustainable materials and partners. He envisions a future where the industry is dotted with digital manufacturing hubs, leading to significant environmental benefits across multiple textile market sectors.” Debbie McKeegan - FESPA Textile Ambassador

“The landscape of sportswear is changing dramatically as the decade progresses. With a heightened focus on sustainability, manufacturers have turned their attention to the use of recycled and new fibre materials to influence production.” Debbie McKeegan - FESPA Textile Ambassador

“Pioneering in 3D digital product creation, Iarocheski developed a unique production model based on digital technology. Designs were created in 3D, with the physical product only produced once the digital version was sold. This innovative approach not only addressed the problematic stock issue but also significantly reduced in-house waste.” Debbie McKeegan - FESPA Textile Ambassador

“DTF is set to not only sustain its position as a viable keystone in textile customisation but also evolve into an even more versatile, sustainable, and user-friendly technology, shaping the future landscape of the garment decoration industry.” Debbie McKeegan - FESPA Textile Ambassador

“Green Grads has sponsorship from a clutch of innovatory British brands. “And we are especially grateful to Claire German and Design Centre, Chelsea Harbour who are our generous headline sponsor, additionally welcoming us for the second time running into their prestigious space,”says Barbara Chandler, founder/curator of Green Grads.

“Print Logistic proudly unveils Coloreel, a cutting-edge technology that is reshaping textile decoration. This innovative embroidery solution unleashes a spectrum of vibrant colors, breaking free from the constraints of traditional embroidery’s limited thread palette. Coloreel’s on-demand thread coloring system opens the door to an infinite array of colors, empowering Print Logistic to meet bespoke customer requests with unprecedented precision.” Print Logistic

“Oliver Mustoe-Playfair explained further “Prinfab had grown from a single printer to a fleet covering thousands of square feet. In 2021, we recognised the need transition to larger industrial printers and became the first company in the world to put an Epson ML-8000 into production” - Oliver Mustoe-Playfair of Prinfab

“Textile waste in the EU has increased considerably due to 'fast fashion' trends. The emphasis on frequent, lower-priced collections encourages consumers to buy more, creating a surge in waste. Even more concerning, a study by the Joint Research Centre (JRC) found in 2019 alone, textile waste, including clothing, footwear, and home and technical textiles, amassed to 12.6 million tonnes. This equates to a staggering 12kg per person, per year”.

“FESPA - Personalise, Make Wear - will showcase a digital workflow that integrates and highlights the technologies that are redefining the benchmarks of apparel manufacture. Partners include: Antigro Product Designer, Kornit Digital, MS Group, Caldera, Epson, InkCups, Pattern Room, Klieverik, Coldenhove, Tajima, Coloreel, AVA, Greentex, Dekken and Stahls.“

“Ever pondered the twist and turns in the labyrinth of fashion technology? Let's shine a spotlight on the showstopper of the hour - Augmented Reality (AR). It’s like stepping into a wardrobe that leads to another dimension, but instead of Narnia, it could be the future of fashion and merchandising we're stepping into.” Timo Breuser - B&C Collection

“In response to the emerging circular economy, we asked print teams and designers to think beyond print for one season and consider the afterlife of products as they stay in circulation on resale platforms for years to come. How does a design stay relevant and appealing for a decade.” Cheryl O’Meara PRINT PATTERN ARCHIVE

“It’s clear that on-demand printing is emerging as a game-changer in home décor, enabling manufacturers to start production with minimum order quantities as low as a single piece. Materials innovation is also a focus, with sustainable practices and the use of recycled materials becoming a standard. Powerful partnerships and digital tools are simplifying production processes, for both textiles and wallpaper manufacturing”. TEXINTEL Editorial team

“One of the hot topics right now in sportswear is circularity and the requirement to adapt production to combat overproduction. “Overproduction is a big problem and I think it's clear that we all need to think about what we produce instead of following the traditional sourcing pathways.” Kevin Van Lanker | Sportswear of Tomorrow

“The fashion industry, traditionally a beacon of constant change and innovation, is on the cusp of its most significant evolution yet, spearheaded by Digital Product Creation (DPC) and 3D technologies. These aren't just upgrades or simple improvements; they are game-changers that promise to reshape the landscape of fashion design, production, and distribution.“ Lui Larocheski

“The future of the sports and athleisure sectors are inextricably bound up with one form or another of customisation. Whether its team sports, corporate identity or simply personal preference this sector is growing exponentially, for as the suppliers of fabrics, software and workflow recognise - personalisation is here to stay.” FESPA Textile Ambassador”.

“Observing this falter in digital fashion, many of the CEOs who touted Web3 as the poster child of luxury innovation have retreated sheepishly—removing all mentions of ‘metaverse’ from their roadmaps and frantically completing whichever qualifications allow them to sub-out the ‘Web3’ in their bios, all whilst writing off the money spent on NFTs as tax losses.” THIS OUTFIT DOES NOT EXIST